When architect Michael Murphy came home to San Francisco after a decade in London, his fresh eyes gave him a new appreciation for the city’s architecture — especially the modern buildings that often get overshadowed by the showier Victorians.
So he began creating a series of prints celebrating some of his personal favorites, including several in the neighborhood. There’s the new St. Mary’s Cathedral (“one of the most beautiful spaces in San Francisco,” he says) and the Japantown pagoda (“simple, with cherry blossom pink”), modern Pacific Heights (“it’s cocktail time”) and even daytime and nighttime tributes to the much-maligned Jack Tar Hotel on Van Ness Avenue.
“It’s reinvigorated my notion that people are suckers for architecture,” Murphy says. “They love it and they love to hate it.”
“They’re a hit,” Murphy chuckles. “My art has overtaken my architecture.”