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He has his own quartet

Michael Schwab’s four street banners celebrating the Fillmore Jazz Festival.

Q & A | MICHAEL SCHWAB

The poster for the 2018 Fillmore Jazz Festival is the fourth jazz image Michael Schwab has created for the Fillmore festival. All four now hang as banners on the street.

Are you a jazz fan?

Sure. I’m not an aficionado, but as a kid, back in southern Oklahoma, I remember hearing my dad playing cool jazz albums on the hi-fi in our living room — a lot of Ella Fitzgerald, Louis Armstrong, Sarah Vaughan, Dave Brubeck and Paul Desmond. In high school, I’ll never forget being introduced to Mose Allison: “You know a young man … ain’t nothin’ in this world these days.” Wow.

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It was the Dave Scott era on Fillmore

Dave Scott: “such an amazing, gentle and talented soul.”

By FRAN MORELAND JOHNS

The news was as mournful as the sound of taps in the distance. When word spread that widely beloved trumpeter-composer-teacher-bandleader Dave Len Scott was decamping from the Fillmore to be near his family in Arizona, there was no joy in jazzville.

But it’s true. For the first time in many years, Dave Scott will not be playing on Fillmore — nor anywhere else in San Francisco — on a regular basis.

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An opera star in the neighborhood

Tenor David Cangelosi, a guest artist with SF Opera, on Sacramento Street.

CULTURE BEAT | PAMELA FEINSILBER

International opera singer David Cangelosi has been subletting an apartment in the neighborhood since April, when he began rehearsals with San Francisco Opera for Richard Wagner’s epic Ring Cycle: four operas over three evenings and one afternoon each week for three weeks. Cangelosi, a tenor, sings in the first opera, Das Rheingold, which opens on June 12, and the third, Siegfried, opening on June 15, and will perform on the two following Tuesday and Friday nights.

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Sheba’s keeping jazz alive

Sisters Israel and Netsanet Alemayehu own Sheba Piano Lounge.

By ANTHONY TORRES

Years ago, when I first came to San Francisco, a friend took me to see live jazz at Rasselas, located at that time on the corner of Divisadero and California. That night, Robert Stewart played some incredibly hard R&B-inflected jazz that was incendiary.

In 1999, Rasselas moved to 1534 Fillmore Street, creating a new music venue out of an old fish market, with a second bar, stage and dance floor in a very large back room.

That was eight years before the massive Yoshi’s complex opened two blocks south on Fillmore to great fanfare. While Yoshi’s for a few years attracted the biggest and best nationally and internationally renowned players, Rasselas stayed true to its mission of showcasing some of the best R&B, soul and jazz musicians the Bay Area had to offer — and that was, and is, a lot.

Adding to the mix was the intimate and elegant Sheba Piano Lounge, which opened at 1419 Fillmore Street in 2006.

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Icon of the ‘Mo

Frank Jackson played and sang in the Fillmore for seven decades.

ONE OF THE enduring musical careers of Fillmore’s jazz era ended on February 5 when pianist and vocalist Frank Jackson died at age 92 of complications of the flu.

He was playing almost until the very end. His last gig was on January 25 at Pier 23, with Al Obidinski on bass and Vince Lateano on drums. Jackson started sneezing on the way home, and within a few days had a cold that kept getting worse. On February 4, he was admitted to the V.A. Hospital in Palo Alto and diagnosed with the flu. He died the next day.

“He was so full of life, wonderful memories and compassion for all,” said his wife and No. 1 fan Kathy Jackson in announcing his death. “His talent and repertoire were unparalleled.”

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‘Don’t you think I owe her?’

Photograph of Nancy and David Conte at the Carlisle by Frank Wing

By FRAN MORELAND JOHNS

“MOM!” the pianist says with some concern as he launches into their favorite song, “Somewhere Over the Rainbow,” and a photographer begins to click away. “You can’t cry on camera.”

Though not usually with a photographer in tow, composer David Conte often drops by the Carlisle, the retirement community at 1450 Post, to visit his mother, Carlisle resident Nancy Conte. He often plays her favorite classics or show tunes before or after he goes to work at the San Francisco Conservatory of Music, where he is a professor of composition and head of the composition department. Other Carlisle residents are treated to regular impromptu mini-concerts.

Performing and composing are nothing new for David Conte. At 7, he and a friend wrote songs and gave concerts in their suburban Cleveland neighborhood. Music education in the public schools was at its zenith, and his father played the trumpet. By 8, he had started piano lessons, and by the time he reached 13, he knew music would be his life. At 19, he moved to Paris for three years, where he became one of the last pupils of world-renowned teacher Nadia Boulanger.

Conte, the eldest of his mother’s three children, has composed more than 100 published works, including six operas and works for orchestra, chamber groups and chorus. His work has drawn critical praise, and aspiring composers arrive at the conservatory to study with him.

But to Nancy Conte — herself a former choral conductor and an encyclopedia of musical texts and tunes — he’s still the son she started driving to piano lessons back in Ohio when he was 8 years old. “It was a lot of schlepping around for a lot of years,” she says. Her son smiles as he launches into a Schubert sonata and says: “Don’t you think I owe her?”

Tombonistically speaking, in the key of Bernstein

Photograph of Nick Platoff by Terrance McCarthy

Photograph of Nick Platoff by Terrence McCarthy

CULTURE BEAT | PAMELA FEINSILBER

Nick Platoff moved here a year ago to join the San Francisco Symphony’s acclaimed brass section, in which he is associate principal trombonist. Only 25, he helps kick off the fall arts season this month, performing in the symphony’s opening night gala on September 14, followed from September 22 to 24 by “Celebrating Bernstein,” four pieces by Leonard Bernstein to honor the centennial of the master conductor and composer’s birth.

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‘Do you want to come to the show?’

Mark Fantino and Richard Butler at Chouquet’s on Fillmore.

Mark Fantino and Richard Butler of The Psychedelic Furs at Chouquet’s.

FIRST PERSON | MARK FANTINO

It’s Tuesday, and I’m halfway through working a typical lunch at Chouquet’s, at Fillmore and Washington, when in he walks. Immediately I ask: “Are you Richard Butler?”

Turns out, I know him well. He’s the lead vocalist of The Psychedelic Furs, one of my favorite rock bands. A benefit of being a record collector who scrutinizes every detail and reads all the liner notes and lyrics on all the records that shaped my life is that I have names memorized, as if they are all old friends who’ve seen me through thick and thin. I’m remembering the adage that we should know the names of the people who changed the world, or at least made it a better place.

So there is something profound about welcoming him by name instead of: “Hey, aren’t you that guy from The Psychedelic Furs?”

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Nurturing the evolution of jazz in S.F.

RandallKline

CULTURE BEAT | PAM FEINSILBER

It’s fitting that Randall Kline, founder and executive artistic director of SFJazz — the largest jazz-presenting organization on the West Coast — lives near Fillmore Street. In the 1940s and ’50s, when the neighborhood was teeming with clubs, bars and after-hours joints, it was revered by jazz musicians and fans. Now Kline, who has lived locally with his wife, Teresa Panteleo, for almost 20 years, presides over the acclaimed SFJazz Center he willed into being in the cultural mecca near City Hall.

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Jazzfest celebrates the Summer of Love

FJF2017

By JASON OLAINE

Summer of Love Revisited. That’s the theme of this year’s Fillmore Jazz Festival on July 1 and 2, in honor of the 50th anniversary of that impactful, inspired time in 1967 — its epicenter in San Francisco, with the Fillmore being ground zero.

Seminal albums were released by Jefferson Airplane, The Doors, Jimi Hendrix, The Rolling Stones, The Beatles, The Who, Aretha Franklin, Ray Charles and many more, while a number of important bands were being formed — including Santana, Fleetwood Mac, Sly and the Family Stone, NRBQ, Chicago and Credence Clearwater Revival.

The Human Be-In took place here with spoken word by Allen Ginsberg and Timothy Leary and music by Big Brother and the Holding Company, Quicksilver Messenger Service, Jefferson Airplane and the Grateful Dead.

Perhaps this summer is the time to collectively take a page from our past — to embrace this unifying message of compassion and community, as important today as it was a half-century ago.  Just as the artists of that generation distilled a consciousness or portrayed optimism in the face of serious cultural and worldwide troubles, artists of today give us something to think about, to feel, so we can go back to our daily lives inspired to be a part of the ongoing struggle to live and love.

This year’s artists will honor the spirit of  ’67 by performing songs from that period, showing how jazz can embrace other musical genres, with uplifting results.

ENTERTAINMENT SCHEDULE

Jason Olaine is artistic director of the Fillmore Jazz Festival and director of programming for Jazz at Lincoln Center in New York.