Frye first to shut down

Frye’s stylish shop on Fillmore Street opened in 2016.

FRYE BOOTS at 2047 Fillmore Street has become the first neighborhood shop to announce it will close permanently.

“We were told last Friday [March 27] that we will not reopen our beautiful store,” says Frye manager and longtime local Cris Mcquay, who formerly managed Kiehl’s on Fillmore. “We will stay permanently closed going forward. We are closing all 16 Frye retail stores in the U.S.”

She added: “I’m afraid we won’t be the only one — just the first confirmed case.”

Fillmore getting its first cannabis dispensary

Liberty Cannabis Dispensary will replace Unity Church at 2222 Bush Street.

LIBERTY SAN FRANCISCO has been granted a permit to open the neighborhood’s first cannabis dispensary.

On December 12, the Planning Commission unanimously approved Liberty’s application for a conditional use permit to open a retail dispensary just west of Fillmore at 2222 Bush Street, formerly the home of Unity Church. The church sold its longtime home for $5 million earlier this year.

The commission heard from 12 neighbors who supported the permit and seven who were opposed. Only one — Christopher Hayes, who lives nearby on Wilmot Alley — spoke when the issue finally came up at the bottom of the agenda more than seven hours after the meeting began. Hayes asked the commission to prohibit on-site consumption and to ban customer parking at the back of the building on Wilmot Alley. Both conditions were approved as part of the permit.

Timothy Omi, director of operations for Liberty SF, said it will be “a different type of cannabis dispensary focused on cannabis education and customer well-being.” He characterized its priorities as “hugs over haggling.”

Liberty also owns cannabis dispensaries in Massachusetts, Maryland, Pennsylvania and Southern California.

Fillmore Street: Retail Mecca?

The new boutique ADAY has just opened at 2011 Fillmore Street. 

FILLMORE BEAT | CHRIS BARNETT

Despite the fierce turnover among well-heeled retailers, is Fillmore Street still Mecca for merchants? Jon Levy, an exec with Leap — a New York-based firm that creates and launches traditional retail stores for web-based digital brands — is convinced of it. He just snapped up a second storefront on the street for a client and is gunning for a third — all in the same block.

Leap just soft-opened the women’s fashion shop ADAY at 2011 Fillmore, after the cosmetic emporium MAC vanished suddenly last month. A few months earlier, Leap opened Koio, a hip sneaker company, a few doors north at 2029 Fillmore in what was previously the Lilith women’s boutique. Now Leap has its sights on the space nearby at 2033 Fillmore being vacated by Modcloth, the Walmart-owned apparel startup that flopped as a brick-and-mortar venture but lives on online. 

Leap is neither an angel investor nor a venture capitalist. Its gig: Match online retail concepts with hot locations nationwide and get them off the brick and mortar launching pad. And even with the high casualty rates on Fillmore among solidly financed, often globally owned retailers, Levy feels the street has an irresistible appeal to tech-smart, savvy-spending millennials who aren’t afraid to disrupt rules and flout traditions.

Levy maintains that ADAY is aimed at the “fashion forward yet practical” woman who looks for simplicity and versatility in her wardrobe. “This is comfortable yet technical apparel — think high-end fabrics made of recycled materials,” he says. The premise is that customers can wear the same outfit to work, a party, a job interview and a club.

“These buyers are found in cities like San Francisco, L.A. and New York,” Levy says. “The place to be for retailers targeting those buyers is on Fillmore. Just look at Noosh. Filled. That’s our market.”

Levy, who kicks off all his new store grand openings with a music, food and drink party and invites the neighborhood — none of those “friends and family” insider-only private bashes — is doing the same with ADAY. A do-good shopping incentive: 10 percent of all proceeds will be donated to the California Fire Foundation to aid in wildfire relief.

A tiny plant store on tony Fillmore

Organic forms and abundant greenery mark Plants and Friends at 1906 Fillmore.

A NEIGHBOR, out for a walk one night soon after Plants and Friends opened its new shop at 1906 Fillmore in early October, stopped to admire the greenery in the window.

“It’s fun,” she said to another neighbor walking by. “It makes you smile.”

And so it does. Who would think — in the age of international fashion boutiques and cosmetics salons — that a tiny plant store could sprout on tony Fillmore Street?

Owner Nick Forland, that’s who. Suggest to him that he’s a dreamer for opening a petite plant store in a high-rent district and he seems completely surprised anyone could think he’s taking a risk.

“We’ve made a plant store work for two years in Hayes Valley,” he says with a toothy grin. “We had a test run.”

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More than a few of her favorite things

Chandler Tang’s new shop Post Script has just opened at 2413 California.

CHANDLER TANG is living her dream — curating and stocking what she describes as “very fun things” for Post Script, a new shop she’s just opened in a neighborhood she knows and loves. 

Tang describes her new endeavor at 2413 California Street, near Fillmore — most recently habited by the women’s clothing boutique De Novo — as a “lifestyle store” that focuses on small goods.

The offerings are an eclectic mix of mostly handcrafted items including pillows, throws, soap, candles, planners, bowls, art books, towels and jewelry, along with greeting cards ranging from nice to naughty. Somehow the mix seems unified, no doubt due to Tang’s buying philosophy: “I really just look for a sense of colors and designs that can enrich your every day,” she says. 

Days before opening, Tang wanders about the space, newly brightened by refinished floors and a coat of white paint on the walls, one of them adorned with a mural by local artist Katie Benn. 

It’s also clear there’s another unifying force: She’s stocked the shop with more than a few of her favorite things.  

“Just look at this!” she marvels, plucking a stylized toothbrush with aqua bristles off one of the newly constructed shelves. “It’s by an amazing brand called Hay. They just strip everything and focus on great design.”

Post Script is slated to be open Tuesday through Sunday from 11 a.m. to 7 p.m. Tang plans to be on site most of the time. “For now, I want to be the face of the store — to meet my customers, to get that personal touch,” she says.

Pacific Heights Health Club ends its 35-year run

A retractable roof in the weight room has been one of the club’s distinctions.

PACIFIC HEIGHTS HEALTH CLUB, with its lofty-sounding name and low-key vibe — where designer workout garb is not required — will close its doors for the last time on November 27, the day before Thanksgiving, at precisely 3 p.m. 

Amy Lang, who took ownership of the club 15 years ago and appointed herself chief motivating officer, announced the move in a letter to members on November 1.

“San Francisco has changed. Retail has changed. The fitness industry has changed,” Lang said in an interview. 

The club’s personal training program will continue in the fitness center of the nearby 2000 Post Street apartments, between Steiner and Pierce.

Lang intends to focus, mostly in online sessions, on coaching women from 45 to 55 interested in weight loss — especially those in tech, who share her work roots.

A longtime neighborhood institution, the urban gym at 2356 Pine, just west of Fillmore, has gone through a number of incarnations. It opened in 1984 — when the city had only six health clubs — as a men-only club that offered massages, a hot tub, and was staffed with locker room attendants. It was frequented by a number of celebrity clients, including, for a time, John F. Kennedy Jr.

David Kirk opened the front part of the club to women when he took ownership in 1990. A dozen years later he opened the entire club to all. 

Fleeing a worklife in finance and tech, Amy Lang took over as owner in 2004, adding a cheeky sense of marketing along with yoga, Zumba and Pilates classes. Later she discontinued the classes and focused on small group training for older people, a change that didn’t sit well with some of the regulars. 

“It created a bit of a kerfuffle,” Lang acknowledges, but also revealed a deeper truth. “It was then that I realized the club is a better place for a person who is a do-it-yourself type of exerciser,” Lang says. “I didn’t know you don’t morph a health club into what you want it to be. But what I’ve learned now allows me to do what I’ve always wanted to do.”

Modern designs for foggy dogs

A new firm based in the neighborhood manufactures premium dog beds and accessories.

PEOPLE OFTEN JOKE that there are more dogs than children in San Francisco. Statistics show it’s true: There were about 115,000 children under age 18 living in the city in 2016, according to the American Community Survey. San Francisco Animal Care and Control estimated that at the same time, there were about 120,000 to 150,000 dogs.

One local, Rose Shattuck, has launched a new business she hopes will make good on that reality.

Shattuck is the founder of The Foggy Dog, a two-year-old brand of premium goods for dogs headquartered in the neighborhood. She got the idea for the company when she couldn’t find a dog bed for her goldendoodle, Utah. “I couldn’t understand why every dog bed had paw prints or was khaki colored,” she says. “So I found some upholstery fabric that I loved and hired a seamstress from Craigslist to make my dream dog bed.”

Then she realized she was on to something. So Shattuck left her role as vice president for merchandising at Minted — an online design marketplace for stationery and art with a shop at 1919 Fillmore — to focus full time on The Foggy Dog. The product line now includes dog beds, collars, leashes, toys and accessories. Her passion is to make pet products that are not only functional, but also beautiful. “At Minted, I was surrounded by amazing design every day,” she says. “I wanted to bring that same level of fresh, modern aesthetic to the pet industry.”

Living in the neighborhood, Shattuck was surrounded by other “dog moms” in their 20s and 30s who were dissatisfied with the choices they had when it came to their pets. She realized there was a market for attractive, made-in-the-U.S. pet products that appeal to a more modern customer. “People are having children later in life, and their dogs are their babies. Pet parents want the best for their fur kids,” she says. “And there isn’t another brand right now that seems to serve their needs.”

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Brown Bag broke all the rules

Michael May took the owner’s ideas and turned them into windows.

FLASHBACK | JO MANCUSO

The windows at the Brown Bag, the quirky office supply store long on the corner at 2000 Fillmore Street, were the topic of an item in Image magazine in 1991:

This is the store that breaks all the rules. Its Fillmore Street windows are really shadow boxes, maybe 4 feet square but only about 6 inches deep, so the displays look more like collages. The employees, all collectors of various kinds, bring their own stuff in to use as props. The store itself, which is supposed to be a stationery shop, sells dishes and tiny plastic eyeballs.

“We don’t want to be commercial,” says owner Dawn Christensen. “There’s nothing I won’t buy.” She is considering a “national mammogram week” window this spring using greeting cards with voluptuous Victorian women.

Employee Michael May takes Christensen’s ideas and turns them into windows. A scissors window. A cowboy window. A magnet window. A recent gold window included crowns, swans, pencils, dice, stamp holders and doilies. “It’s a far cry from forming men’s suits,” says May, a former men’s retail display worker.

“We don’t just pull merchandise from the store — we buy things for the windows and then sell them,” says Christensen.

A window sometimes has a hidden message, she says, but “the people who would be offended don’t get it.”

EARLIER: “Practical supplies and wildly impractical baubles

She’s pulling up her roots

Traci Teraoka and her hound, Huckleberry, made Sacramento Street a more neighborly place.

By BARBARA KATE REPA

Traci Teraoka, the personable proprietor of Poetica Art & Antiques at 3461 Sacramento Street, believes in synchronicity. Growing up, her family moved every few years to accommodate her dad’s career in air freight. But after she landed in San Francisco two dozen years ago, she noticed roots growing out of the container of a lemon tree she’d bought.

“I took that as a metaphor that it was time for me to put down real roots here,” she says. And she did — sending her son Alexander to nearby Town School and Drew School, establishing a small business and living upstairs above her eclectic shop, taking a leadership role in neighborhood organizations.

“I really let myself be here on Sacramento Street more than any other place in my life,” she says. She even planted the lemon tree in her back yard — in the ground.

But now she’s being uprooted. Teraoka and her business partner had an agreement that when Alexander was a year out of high school, she would buy out her partner, or they would sell the building.

And now the time has come.

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‘1,000 Monks’ helped create a community

FIRST PERSON | TRACI TERAOKA

Over the years, many artists asked me to consider showing their work at my shop, Poetica Art & Antiques. One day a woman walked in who was looking for a place to present a special print, which she called “1,000 Monks.” Andrea Speer Hibbard was visiting from her home in Santa Rosa. She had created the original artwork back in 2001, and her son had encouraged her to make prints to make it more widely available.

Little did I know how important that serendipitous encounter would become.

Andrea and I quickly reached an agreement, and soon “1,000 Monks” was for sale in my shop. It has been my best-selling item, and one of the single greatest contributions my small business has made to the community. Andrea has been wonderful to work with, often hand-delivering prints so we can visit.

The giclee prints have been a source of joy and happiness, connection, strength and contemplation since the day they first arrived. Many people stop in their tracks once they make eye contact with “1,000 Monks.” They look, find a monk looking back and soon are transported, looking at different monks. The piece is instantly engaging. And that happens time and time again, day after day. Some people have told me they walk by just by hoping they can visit the monks through the window. 

For many years, the only sales I had on the website for the Poetica shop was the print of “1,000 Monks. “ I don’t sell them by the thousands, but when the bell on my phone sounds, notifying me of a sale coming through, more often than not it’s still for “1,000 Monks.”

Sales are often the result of someone seeing the piece in a friend’s home, creating a little chain reaction. A friend bought one and had it shipped to Jonesboro, Arkansas. That purchase led to several of her friends acquiring the piece in several cities in the South.

Sometimes the piece provides needed comfort. In 2015, three young people went on a murderous rampage beginning at Golden Gate Park after Hardly Strictly Bluegrass. Their next stop was Marin, where they shot Steve Carter and his dog Coco multiple times. Coco survived. Steve did not. Steve’s wife, Lokita Carter, suddenly a widow, was also grappling with intense chemo treatments for a rare late-stage cancer. I heard the familiar bell notification on my cell phone that “1,000 Monks” had been ordered. It was Lokita. Andrea and I refunded Lokita’s purchase and gifted it to her. She recently told me the monks continue to be a cornerstone in her life.

Another story: Last fall, I was talking to a neighbor in front of the shop when a man stopped to look in the window and became mesmerized by the framed “1,000 Monks.” He said he was having a difficult and challenging week, and really wanted the piece. As I was processing his sale, he confided he was James Roche — a roommate at Yale of Brett Kavanaugh, then battling for confirmation as a justice on the U.S. Supreme Court. Though raised in an ultra-conservative family — his father owned a MAGA hat — Roche said he had taken a leap of faith and gone public with his belief that Kavanaugh had lied repeatedly under oath and sexually assaulted another woman who was a friend.

There is something in this piece that creates connection, happiness, contentment — and solace.

The giclee print of “1,000 Monks” is $85. It’s in stock at Poetica, at 3461 Sacramento Street.