LOCAL HISTORY | GARY CARR
On August 2, 1966, the “Mayor of Fillmore” was found shot to death in the area south of Market Street. He was sprawled on the street next to the open door of a rental car. A revolver lay beside his right hand. Police said it was a suicide.
The dead man was Charles Sullivan, the most influential — and controversial — figure in the mostly African-American Fillmore District. From the late 1940s until his death, Sullivan was probably the richest man in the neighborhood. He was tall, handsome and imposing, dressed in finely tailored suits worthy of Duke Ellington. A local merchants group bestowed his title on him, complete with an oversize key to the city.
The San Francisco coroner dismissed the idea of suicide, declaring the death of “unknown circumstances.” Also disagreeing with the initial police report is Harry Richard Hall, Charles Sullivan’s nephew and the creator of a new one-man show, Blues for Charles.
“BLUES FOR CHARLES”
Harry Hall performs Blues for Charles, his one-man tribute to his uncle Charles Sullivan, the one-time Mayor of Fillmore, at the Exit Theatre at 156 Eddy Street on September 7, 13, 16 and 17 as part of the 23rd annual San Francisco Fringe Festival.
Blues for Charles is a murder mystery, and also Hall’s tribute to Charles Sullivan, his family and the Fillmore. But Hall would be the first to admit his uncle was no saint.
“Charles never would have committed suicide,” Hall says. “He was too selfish.”