Teaching human kindness

Photograph of Deb Anaya and friends by Suzie Biehler

Photograph of Deb Anaya and friends by Suzie Biehler

By LIV JENKS

On the corner of Fillmore and Jackson stands the imposing edifice that is home to Calvary Presbyterian Church, moved there from the western side of Union Square just in time to open with a community Thanksgiving service in 1902.

Often overlooked is the warm, bright preschool located on the top floor of the adjacent education building, with its rooftop playground, which has been welcoming and shaping 3- and 4-year-olds since 1956.

Deborah Anaya has been director of Calvary Nursery School for 19 years. As she walks through the six mini classrooms that divide the preschool’s open, inviting space, she points with pride to the reading corner, the student artwork that hangs on the walls, the portfolios tracking the progress the children made in learning how to write their names.

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Learning more about Santana

Santana book

BOOKS | LEWIS WATTS

I have always admired Carlos Santana, but I think I had begun to take him for granted. He made his career in San Francisco during the Summer of Love, starting in the Fillmore. I’ve always loved his music, especially his early albums, but I only knew a few particulars about his life. So I borrowed my wife’s copy of his autobiography, The Universal Tone: Bringing My Story to Light, which is well written and makes you feel as if you are sitting in a room with him having a conversation.

Santana was born in Autlán de Navarro, Mexico, the son of a professional Mariachi musician. He developed his blues chops playing guitar in strip clubs in Tijuana. He moved with his family to San Francisco in the early 1960s and formed the Santana Blues Band in 1966. I remember seeing him play with B.B. King at the Fillmore. His international reputation was sealed by his performance at Woodstock.

Santana always had a wide variety of influences in music. His unique style was formed by expanding his foundation in the blues to include Latin and jazz influences. One of his first big hits was “Oye Coma Va,” originally recorded by Tito Puente. I was fascinated to see that he was very tight with people like Miles Davis, Alice Coltrane, John Lee Hooker and many others.

Santana was married for many years to Deborah Santana, the daughter of Saunders King, a prominent R&B guitarist during the heyday of the Fillmore District in the 40s and 50s, featured in Harlem of the West. He is now married to Cindy Blackman, a drummer who has played with Lenny Kravitz and many jazz ensembles. One of the notable qualities of Santana’s life is his deep spirituality, which has taken a number of forms, and which has sustained him and influenced his broad musical reach.

I was happy to learn more about Santana. The book made me break out his old albums in my collection — and then seek out some of his new music. It’s a good read.

Lewis Watts is co-author of Harlem of the West: San Francisco’s Fillmore Jazz Era.

Bodhisattva of Browser Books

Latif William Harris (1940-2017)

Latif William Harris (1940-2017)

By ERIN C. MESSER

Latif William Harris — post-Beat poet, seeker and Bodhisattva of Browser Books — passed away on October 15 in Watsonville, California. He was 76 years old.

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Immigration fight snares a familiar face

Luis Quiroz, a staffer at Fillmore’s Invision, is among those threatened.

Luis Quiroz, a staffer at Fillmore’s Invision, is among those threatened.

By JAYA PADMANABHAN

When 27-year-old Luis Quiroz heard the news that DACA — the Deferred Action for Childhood Arrivals immigration program — was being rescinded, it was as though something he’d worked for all his life had been stripped away.

“I felt completely defeated,” he said.

Quiroz was born in the Mexican state of Guerrero and was brought to America when he was 6 months old. He grew up in San Diego and later moved here to attend San Francisco State University.

“My whole life has been devoted to the United States,” he said. “I know no other home. California has been my home my whole life, pretty much.”

DACA changed Quiroz’s life in two crucial ways: He found a job at Invision Optometry on Fillmore Street, which helps him pay off education expenses; and he obtained a driver’s license, which allows him unrestricted movement. DACA validated his identity.

“I could prove to the world that I was Luis Quiroz and that my birth date was the date it was and that I was a California resident,” he said.

Quiroz worried about his family living close to the Mexican border in San Diego, where there was heightened immigration enforcement activity — and he was right to worry. When Quiroz was 15, his 23-year-old brother was detained and subsequently deported. Two years after that, his father was deported. And in 2015, his mother was sent back to Mexico.

“The reason they fled Mexico in the first place was for economic opportunity, to escape violence, for a better future for themselves and their children,” Quiroz said. “As much as we want to see each other again, my parents recommend I stay in San Francisco.”

His voice thickened with emotion, Quiroz talked about a recent tragedy in his family. In March of this year, his brother, who operated a business for tourists, was assaulted and shot point-blank in front of his 4-year-old daughter.

“I currently have no way of going to Mexico, or visiting his grave, or visiting my parents or my brother’s daughter, whom I have never met,” Quiroz said. He had just finished putting together the paperwork and fee for DACA’s advanced parole, which would have enabled him to visit his family in Mexico. But now, with DACA rescinded, advanced parole is no longer an option.

“I’m very lucky to be in San Francisco, of all places,” Quiroz declared, enumerating the various resources the city has offered him.

S.F. State set up healing circles at their Dream Resource Center after the DACA announcement. San Francisco’s Office of Civic Engagement and Immigrant Affairs offers advice, support and sanctuary to Dreamers. That office also provides help with DACA renewals, fee assistance and legal aid.

Dreamers like Quiroz are concerned about what might be compromised in the zeal to get Congress to pass the pending Dream Act.

“I personally feel torn about this,” Quiroz said. “This Dream Act offers relief to less than 10 percent of the undocumented population, and it excludes everyone else.”

He fears that while he would personally benefit from the bill, the larger undocumented population will be left unprotected.

“It’s like saying, ‘We get to stay, but our parents will get deported,’ ” Quiroz said.

An earlier version of this article appeared in Jaya Padmanabhan’s In Brown Type column in the San Francisco Examiner.

Historian Kevin Starr: A personal memoir

Photograph of former State Librarian Kevin Starr by Andrew Burton.

Photograph of former State Librarian Kevin Starr by Andrew Burton

By CHARLES FRACCHIA

He was born and grew up in public housing on Potrero Hill. When his parents could no longer take care of him and his brother, he was sent to a Catholic orphanage in Eureka. After a stint as a seminarian he attended St. Ignatius High School, where his Jesuit teachers noticed he could not read well, had his eyes checked, and bought him glasses.

It is a surprising start for what happens next. He attends the University of San Francisco and graduates with honors, does a stint as an officer in the U.S. Army, is given a Danforth Fellowship and attends Harvard University, where he receives a Ph.D. in American literature. Following a teaching stint at Harvard, he returns to San Francisco in 1973, where he becomes a special assistant to Mayor Joseph Alioto and City Librarian.

This protean figure is Kevin Starr, who, during the four and a half decades after his return to San Francisco, became one of the major cultural historians of the late 20th and early 21st centuries, a journalist and editor, a generous abettor of many authors, an amiable clubman, State Librarian of California and a distinguished professor at the University of Southern California, to which he would commute weekly from his home in San Francisco.

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So long, Charlie

charlie with preschooler

THE NEIGHBORHOOD HAS lost one of its most familiar faces: Charlie, the large golden doodle known for relaxing on the sidewalk outside Peet’s at Fillmore and Sacramento, has died. Charlie always put smiles on the faces of passersby with his unusual size and gentle demeanor. 

He was a frequent customer at George, his favorite destination, and also enjoyed the carpets at Browser Books, where the staff posted a memorial. Said erudite Browser bookman Fred Martin: “He had the soul of a saint and the body of a blonde bombshell.”

VICTORIA’S SECRET

IMG_1241

By BARBARA KATE REPA

Victoria Dunham is bucking the trend.

At a time when many small businesses with unique offerings have been priced out and forced off Fillmore Street, the proprietor of the HiHo Silver jewelry store at 1904 Fillmore has just opened a second shop next door, doubling her retail space.

“I live in this neighborhood, too,” she says. “I know what it means to have mom-and-pop stores here, and this is a mom-and-pop — or at least a mom.”

In mid-July, Dunham opened a new boutique one door north, naming it simply for its address: 1906. The spot allows her to showcase the many gems and curiosities she finds too weird or wonderful to resist while traveling the world scouting for silver: scarves and shawls, framed insects, stainless steel vases, sting ray wallets and coin purses and polished wooden boxes.

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Nurturing the evolution of jazz in S.F.

RandallKline

CULTURE BEAT | PAM FEINSILBER

It’s fitting that Randall Kline, founder and executive artistic director of SFJazz — the largest jazz-presenting organization on the West Coast — lives near Fillmore Street. In the 1940s and ’50s, when the neighborhood was teeming with clubs, bars and after-hours joints, it was revered by jazz musicians and fans. Now Kline, who has lived locally with his wife, Teresa Panteleo, for almost 20 years, presides over the acclaimed SFJazz Center he willed into being in the cultural mecca near City Hall.

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Poetica finds its community

Traci Teraoka is the proprietor of Poetica Art & Antiques at 3461 Sacramento Street.

Traci Teraoka is the proprietor of Poetica Art & Antiques at 3461 Sacramento Street.

LOCALS | FRANCINE BREVETTI

There was no place to put 1,000 Monks. Artist Andrea Speer Hibberd was frustrated when trying to find a store or a gallery to exhibit the giclee prints of her drawing.

Until she walked into Poetica Art & Antiques on Sacramento Street.

There she found the proprietor, the expansive Traci Teraoka, only too happy to show and sell the luminous work in her store. Hibberd had created the drawing in tribute after her father died in 2001; her son had the original and encouraged his mom to make prints.

The creation was just the right fit for Teraoka’s eclectic and wide-ranging collection of furniture, art and decor at 3461 Sacramento Street. After six years in business, Poetica has drawn a devoted following.

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The art of neighborliness

Suzanne, wearing a hat from her collection by a local milliner, and George Burwasser.

Suzanne, wearing a hat from her collection by a local milliner, and George Burwasser.

LOCALS | BARBARA KATE REPA

Longtime locals Suzanne and George Burwasser practice the fine and gentle art of neighborliness.

Together for more than half a century, most of that time only a few doors from Fillmore Street, they have made it a priority to shop local and get to know the people who live and work around them.

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