So long, Charlie

charlie with preschooler

THE NEIGHBORHOOD HAS lost one of its most familiar faces: Charlie, the large golden doodle known for relaxing on the sidewalk outside Peet’s at Fillmore and Sacramento, has died. Charlie always put smiles on the faces of passersby with his unusual size and gentle demeanor. RIP.

VICTORIA’S SECRET

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By BARBARA KATE REPA

Victoria Dunham is bucking the trend.

At a time when many small businesses with unique offerings have been priced out and forced off Fillmore Street, the proprietor of the HiHo Silver jewelry store at 1904 Fillmore has just opened a second shop next door, doubling her retail space.

“I live in this neighborhood, too,” she says. “I know what it means to have mom-and-pop stores here, and this is a mom-and-pop — or at least a mom.”

In mid-July, Dunham opened a new boutique one door north, naming it simply for its address: 1906. The spot allows her to showcase the many gems and curiosities she finds too weird or wonderful to resist while traveling the world scouting for silver: scarves and shawls, framed insects, stainless steel vases, sting ray wallets and coin purses and polished wooden boxes.

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Nurturing the evolution of jazz in S.F.

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CULTURE BEAT | PAM FEINSILBER

It’s fitting that Randall Kline, founder and executive artistic director of SFJazz — the largest jazz-presenting organization on the West Coast — lives near Fillmore Street. In the 1940s and ’50s, when the neighborhood was teeming with clubs, bars and after-hours joints, it was revered by jazz musicians and fans. Now Kline, who has lived locally with his wife, Teresa Panteleo, for almost 20 years, presides over the acclaimed SFJazz Center he willed into being in the cultural mecca near City Hall.

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Poetica finds its community

Traci Teraoka is the proprietor of Poetica Art & Antiques at 3461 Sacramento Street.

Traci Teraoka is the proprietor of Poetica Art & Antiques at 3461 Sacramento Street.

LOCALS | FRANCINE BREVETTI

There was no place to put 1,000 Monks. Artist Andrea Speer Hibberd was frustrated when trying to find a store or a gallery to exhibit the giclee prints of her drawing.

Until she walked into Poetica Art & Antiques on Sacramento Street.

There she found the proprietor, the expansive Traci Teraoka, only too happy to show and sell the luminous work in her store. Hibberd had created the drawing in tribute after her father died in 2001; her son had the original and encouraged his mom to make prints.

The creation was just the right fit for Teraoka’s eclectic and wide-ranging collection of furniture, art and decor at 3461 Sacramento Street. After six years in business, Poetica has drawn a devoted following.

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The art of neighborliness

Suzanne, wearing a hat from her collection by a local milliner, and George Burwasser.

Suzanne, wearing a hat from her collection by a local milliner, and George Burwasser.

LOCALS | BARBARA KATE REPA

Longtime locals Suzanne and George Burwasser practice the fine and gentle art of neighborliness.

Together for more than half a century, most of that time only a few doors from Fillmore Street, they have made it a priority to shop local and get to know the people who live and work around them.

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A view of the bay helped lure the maestro

Photograph of San Francisco opera music director Nicola Luisotti by Cory Weaver

Photograph of San Francisco Opera music director Nicola Luisotti by Cory Weaver

CULTURE BEAT | PAMELA FEINSILBER

Maestro — and neighborhood resident — Nicola Luisotti opens the San Francisco Opera’s summer season this month, conducting eight performances of Verdi’s heart-wrenching Rigoletto.

Italian to his core, Luisotti, who’s been music director of the opera company since 2009, is particularly renowned for conducting the works of his most famous musical countrymen. He will open the fall season conducting Puccini’s beloved Turandot in early September and Verdi’s romantic La Traviata later that month.

But if not for the charms of the neighborhood, he might not be in San Francisco at all.

You’ve worked in opera companies all over the world. What brought you to San Francisco?

I will never forget that important moment of my artistic life. I was in L.A. in 2005 conducting Pagliacci, by Leoncavallo. I’d been invited to conduct La Forza del Destino, by Giuseppe Verdi, in San Francisco, and I had to start the rehearsals. But I was so tired, I was close to canceling my engagement.

I decided to come here for two days; my wife, Rita, remained in L.A. When I entered the apartment S.F. Opera had arranged for me in Pacific Heights, the windows provided a spectacular view of the bay and Alcatraz — a view I couldn’t have had in any other neighborhood. I immediately called Rita and said: “You will love this city!”

And it was one of the best musical experiences in my life. The S.F. Opera orchestra and chorus were just amazing. Four years later, when I was asked to become music director, I was in paradise.

And back in Pacific Heights.

I fell in love with what the neighborhood first gave me — that view. Our apartment building in Pacific Heights was built in 1932, and I thought it was truly fate, since that was the year the Opera House opened. And Pacific Heights is so quiet, beautiful and elegant — just a perfect place for a musician to be inspired.

You began your career at age 10, playing the organ in your village church in Tuscany, learning to read music by watching the priest — and a year later you were conducting the church chorus. How did you become an opera conductor?

The first time I attended an opera, it was Madama Butterfly, when I was 12. But the first time I fell in love with an opera was La Bohème, when I was 21. When I saw it, I understood that one day, I could become an opera conductor. For sure, a bit of talent, a lot of work and some luck can contribute to achievement. Perhaps being Italian is why many theaters ask me to conduct Italian works, and so it can be said that I bring my Italian traditions to the music.

What exactly does an opera conductor do?

My colleagues in the orchestra pit and on stage each knows his or her own role intimately. But the conductor brings his knowledge of the entire opera, acting almost like a medium, channeling the composer through the score. When everything works, we have magic.

What do you enjoy on your time off?

Rita and I love to cook and we do not eat out very often, although we have been many times, either on our own or with visiting friends and family, to Pizzeria Delfina. We walk all over Pacific Heights and shop at Sur La Table on Union, the Apple store and Lucca Deli on Chestnut, and go to Whole Foods on California several times a week. We love the services of Deluxe Cleaners on Laguna, and Rita attends Pilates classes at the Dailey Method in Cow Hollow. We bike from home to Crissy Field and beyond and like to hike in the Marin Headlands.

Alas, you’ll be moving on after next season. What are your plans?

I have just been named director asociado at the Teatro Real in Madrid. I will also conduct a lot in New York at the Met, and in Paris, London, Munich, Rome, Turin and many other places around the world.

What you will miss?

I will simply miss everything about this fantastic, charming city that gave me so much. But I will come back here as a guest, and sooner than expected. Remember that all who have lived in this city have left their hearts in San Francisco!

Flowers for Prom

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Text & Photographs by BARBARA WYETH

Every year in the late spring, we florists at Bloomers, over on Washington Street near Broderick, get to share in the time-honored, all-American ritual of prom.

For 40 years, Bloomers has been providing flowers for families in the neighborhood and beyond. The mother who got her wedding flowers may call for her son’s corsage, the same son whose mom received a sweet bouquet the day he was born. Her daughter, who needs a boutonniere for her date, probably got a charming little nosegay for her ballet recital not that long ago. Or so it sometimes seems.

Now the son and daughter are ordering flowers, perhaps for the first time, to honor this special occasion in their own lives. Some of these high-schoolers are nervous about ordering wristlets and boutonnieres. Others are so self-assured that we marvel at their sophistication.

Making the boutonnieres and especially the wristlet corsages is labor intensive and time consuming, but the results are beautiful. And the parade of young women and young men — many with proud moms and dads — who come to pick up the prom flowers is endearing and great fun.

Flowers for prom — a sweet tradition that endures.

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New novel born on old Fillmore

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BOOKS | MARK MITCHELL

Walking down Fillmore Street, I often run into people who have lived here for a while, most of whom know me from my many years here. We’ll chat about the Giants and the weather and then they’ll ask, “How’s the writing going?” Anyone who has spent any time around me knows that I am a writer.

Right now, I get to answer, “Just great!” My new novel just came out, and it’s called The Magic War. If I have one with me, I hand them a flyer with the cover and a link to Amazon. (We’re still working on getting into Browser Books.)

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An old world craftsman

Yury’s Lights & Beyond offers up a warm evening glow of light at 1849 Divisadero.

Yury’s Lights & Beyond offers up a warm evening glow of light at 1849 Divisadero.

LOCALS | FRANCINE BREVETTI

A customer walked in to the lighting shop on Divisadero with a vintage lamp from England shaped as a young boy flying. It had been crudely repaired. Each hand held a socket. The arms had been amputated to rewire the lamp, then glued back badly, with wiring pasted on the outside.

The Ukrainian impresario of Yury’s Lights & Beyond, Yury Budovlya, took on the miserable specimen, detaching the arms and removing the unsightly adhesive. He rewired the lamp, soldered the arms back to the body, leaving the surface seamless and with a seasoned patina.

When the customer returned, she was so astonished to see her prized lamp beautifully restored that she erupted in grateful dance and song. Not wanting to offend, Yury mirrored her with a song and a dance of his own, thinking perhaps it was the appropriate American response.

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Farewell to two of our finest

Carol and John Field

Carol and John Field, longtime neighborhood residents.

THE NEIGHBORHOOD lost two of its outstanding citizens and creative minds in recent weeks when architect John Field and author Carol Field died within a few days of each other.

John Field was noted for the homes he designed in Pacific Heights and especially for his enlightened approach to shopping centers, including the Stanford Shopping Center and downtown Santa Barbara. He was also a filmmaker and a photographer.

Carol Field was a prolific author who became an authority on Italian food, even though she acknowledged she was “the first Italian in my family tree.” After trips to Italy to make The Urban Preserve, John’s first architectural documentary, Carol made it her mission to learn everything about Italian baking. They later owned a home there, and many more books and a novel followed. Earlier she had been a co-owner of the beloved Minerva’s Owl bookstore on Union Street.

Shortly after John died of cancer, Carol suffered a stroke and never recovered.

“She couldn’t make it without him,” neighboring chef and cookbook author Joyce Goldstein told the Chronicle. ”They were a blessed couple.”

“She seemed to listen as much with her eyebrows as her eyes,” wrote Corby Kummer in The Atlantic. He told the Fields he enjoyed visiting them “to observe at close range your utter companionability. You were and will remain my models for the complete and caring civility with which two people can treat each other.”

EARLIER: “Fillmore to Italy and back again

A younger Carol and John Field.

A younger Carol and John Field: always utterly companionable.

MORE: “She tied tradition to captivating stories

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