A poet and now a novelist, too

KnightPrisoner

BOOKS | Mark J. Mitchell

I’ve lived and worked in the Fillmore since before it was new. Old-timers might remember me as the philosopher of beer behind the counter at Bi-Rite Liquors at California and Fillmore before it closed its doors. More recent arrivals might recall me as the Champagne advisor and single malt Scotch whisky guru holding forth at D&M Wines and Spirits for 15 years.

Before moving to the neighborhood, I studied writing and medieval literature at the University of California at Santa Cruz. And even while working all those years in the spirits business, I supported a serious writing habit.

I am primarily a poet, but every now and again poetry is interrupted by prose. My first novel, Knight Prisoner, was published by Vagabondage Press in June. It’s a historical adventure story set in 1470 in London relating the early criminal adventures of two masters of writing and crime imprisoned together, as told through the eyes of their servant.

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Finding fate – and faith – near Fillmore

Photograph of Maya Angelou by Dwight Carter

Photograph of Maya Angelou by Dwight Carter

AUTHOR, SINGER, poet, orator, actress and civil rights activist Maya Angelou has had many jobs in her storied life — including, when she was growing up in the Fillmore, a stint as a calypso dancer at the Purple Onion in North Beach.

Recently Angelou recalled her first job: as a San Francisco streetcar conductor.

“I liked the uniforms,” she says. So the 6-foot-tall 16-year-old applied for a job. “I had seen women on the street cars,” she says. “I just had not noticed they were all white. It hadn’t occurred to me.”

When they wouldn’t even give her an application, “I was crestfallen,” she says. Then her mother put steel in her spine. “Go get the job,” her mother told her. “You want it, then go get it.” She went back to the office, taking along “a big Russian novel” to read while she waited.

“By the third day, I wanted to return home,” she says. “But I didn’t want my mother to know I wasn’t as strong as she thought I was. So I sat there for two weeks. And finally a man came out and asked me in.”

Her tenacity won him over — along with her claim of experience working as a “chauffeurette for Mrs. Annie Henderson in Stamps, Arkansas” — her grandmother.

“He accepted me and I got the job,” she says. “That was really my mother’s doing. She was so strict — and so sure about me.”

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A race to the finish line

The 78-minute documentary debuts this month in San Francisco.

The 78-minute documentary debuts this month in San Francisco.

FILM | Barbara Kate Repa

JIM TRACY, longtime running coach at the neighborhood’s University High School, never set out to be a film star. But when life conspired to deliver a record-setting team, a diagnosis of Lou Gehrig’s Disease and a community that rallied around it all, he could be no other.

The result is Running for Jim, which screens this month at the San Francisco Independent Documentary Film Festival.

One race in particular provided the dramatic high point of the film. The University High School girls’ cross country team, having recently learned their beloved coach had been diagnosed with the fatal disease, was set to compete in the 2010 state championship, a 3.1-mile race run on a cold damp day in Fresno. Team captain Holland Reynolds gathered the team for the usual rallying cheer: “Go Big Red! Go Devils!” Then they added, more like a prayer, “Let’s do it for Jim.”

The race was a nail-biter from the start. One of the team’s top runners, Jennie Callan, fell at the 100-yard mark and slipped to last place, then rallied to finish 16th in the roster of 169 runners. Other team members also ran their hearts out. Adrian Kerester, who had never run in a state final meet, placed 25th. Lizzie Teerlink beat her personal best time. Bridget Blum led for more than half the race, finishing third.

But Holland Reynolds, the team’s fastest runner, slowed around the 2.5 mile mark, then hit the wall. Three yards from the finish line, dazed and dehydrated, she collapsed and fell to the ground. A race official hovered over her, explaining she either had to complete the race without help or withdraw. An agonizing 20 seconds of film shows Reynolds crawling over the finish line before being swept away to a waiting ambulance.

Her explanation: “Of course I was going to finish. I just knew I needed to do it for Jim because we needed to win state for Jim.”

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Fillmore’s new micro-boutique

Liz Fanlo's beauty boutique now occupies the tiniest storefront on Fillmore.

Liz Fanlo’s beauty boutique now occupies the tiniest storefront on Fillmore.

NEW NEIGHBOR | Liz Fanlo

Hair and makeup specialist Liz Fanlo lives near Fillmore and already knew she loved the neighborhood. So when she decided to open a beauty boutique, she persuaded a friend to rent her the tiniest storefront on the street at 2335 Fillmore.

“Isn’t it cute?” she beams. “It’s tiny — 50 square feet, maybe less. But beauty products are small. That’s the advantage.”

It’s a one-seater, but then most of her work is done on location at weddings or events. She wanted a storefront to offer her preferred beauty products and tools and also to teach others her notable skills.

Her first window display features a new kind of hair extensions that don’t harm the hair. “People love ’em,” she says. She’ll change the display every month to feature “my favorite beauty product I’m currently obsessing over.”

“The other shops on the street are ones I want to be associated with,” she says. “It’s not too high-end. It’s a nice mix.”

A Dominican departs

Photograph of Father Xavier Lavagetto by Kathi O'Leary

Photograph of Father Xavier Lavagetto by Kathi O’Leary

IT’S AN ICON in the neighborhood, with its Gothic arches, soaring tower and flying buttresses. St. Dominic’s Catholic Church has stood proudly at the corner of Steiner and Bush Streets since 1928, when the stone sanctuary replaced an earlier brick building destroyed by the 1906 earthquake.

For nearly two decades — an unusually long time by Dominican standards — Father Xavier Lavagetto has been a part of the parish, the last 13 years as pastor. But his service will come to an end the first week of July when the church — and the neighborhood — bid farewell to the man with the familiar easy smile dressed in flowing white robes with sandals sticking out the bottom.

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Fillmore’s Reggie Pettus: no more

Photograph of Reggie Pettus in 2009 by Kathryn Amnott

Photograph of Reggie Pettus (center) in 2009 by Kathryn Amnott

AN APPRECIATION | Elizabeth Pepin Silva

IN MAY 2013 the Fillmore lost a special man with the passing of Reggie Pettus, 73, longtime proprietor of the New Chicago Barbershop and unofficial archivist of the area.

Reggie moved to the Fillmore District from his home in Mobile, Alabama, in 1958 to attend City College of San Francisco. He began working in the New Chicago Barbershop in 1968, eventually taking over the business from his uncle.

The barbershop and many other businesses and residents were adversely affected by the redevelopment of the neighborhood. Like many others, Reggie was given a certificate from the Redevelopment Agency to relocate his shop back to the neighborhood once the rebuilding was over. But unlike most businesses and their African American clientele displaced by redevelopment, the New Chicago Barbershop never went away. The bulldozers stopped just a few doors south, and Reggie and his barbershop remained a fixture at 1551 Fillmore until it finally closed earlier this year — just a few weeks before he died.

In many ways, there would have been no revival of the “Harlem of the West” era, as Fillmore was once known, without Reggie. His collection of historical photographs and memorabilia, much of which he rescued on its way to a dumpster across the street from his shop, sparked an interest in many people to learn more about the area’s past. His photographs and memorabilia formed the basis for Harlem of the West: The San Francisco Fillmore Jazz Era, the book Lewis Watts and I published in 2006. His collection also became the backbone of KQED’s Emmy Award winning documentary, The Fillmore, in which Reggie appeared and offered up some of the more memorable quotes.

“They used to call it the Fillmore,” Reggie says in the documentary. “I call it the No More. Redevelopment just came in and wiped it all out.” He added: “We don’t have too much color down here — not my color, anyway.”

His prophetic words concluded the film. “It won’t come back,” Reggie said. “The flavor is gone. Fillmore, no more.”

BAY GUARDIAN: “I’ve always been a barber
KQED: “Fillmore, no more

Photograph of Reggie Pettus by Lewis Watts

Photograph of Reggie Pettus by Lewis Watts

HISTORIC FILLMORE PHOTOGRAPHS? “IN MY BACK ROOM”

FIRST PERSON | Lewis Watts

By 1990 I was a photographer, and I began looking at the Fillmore as a part of my general interest in a visual examination of history and contemporary experience in African American communities.

Walking through the neighborhood, I also came across Red’s shoe shine parlor across from the Fillmore Auditorium. I went in and inquired about photographing the gallery on the walls that represented many who had lived and performed in the Fillmore. The owner of the shop, Elgin “Red” Powell, said that he was busy but that I might come back another time to talk about it.

A few months passed, and when I returned, Red’s shop was empty, and there was no trace of the pictures. No one in the neighborhood seemed to know what happened to Red and the photos in his shop. I was afraid that this valuable collection of history was lost. I continued to ask after its whereabouts for years.

In 1996 I was doing research for a report on the cultural past of the Fillmore, and I again asked around the neighborhood about Red and his photographs. When I went into the New Chicago Barbershop, across the street from Red’s parlor, and asked one of the barbers, Reggie Pettus, I was thrilled by his response: “They’re in my back room.”

Reggie filled in the blanks about what had happened. Red Powell had a stroke not long after we met in the early 1990s, lost his lease, and died soon afterward. When the parlor closed, everything was taken from the walls and was about to be tossed into a dumpster by the landlord. Reggie rescued the photographs and memorabilia and had kept the materials ever since.

VIDEO: Reggie Pettus was the star of the public television documentary, The Fillmore.

‘People here love beautiful things’

Adele Pomeroy shows customers the shop's collection of estate jewelry.

Adele Pomeroy shows customers the shop’s collection of estate jewelry.

LOCALS | Photographs & Text by Carina Woudenberg

At only 350 square feet, Mureta’s Antiques doesn’t take up much space at 2418 Fillmore, yet the wares inside originate from several continents and span centuries of time, from the Georgian era of the 1700s to the late Art Deco period.

And much of the shop’s contents — from the teacups stacked in the front window to the jewelry encased inside — is sourced from homes right here in the neighborhood.

Gary Mureta, who has owned the shop for 29 years, knew he wanted to be an antique dealer from a young age.

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Dino’s new look — and new name

LOCALS | CHRIS BARNETT

For centuries, historians, scholars and food lovers have argued over who invented the pizza. Greeks claim the honor with a round flatbread topped with meat, cheese, fruit and tree leaves that debuted in 1 B.C. Italians insist a baker in Naples was commissioned to create the first real pizza in 1889 to celebrate the visit of Queen Margherita.

Dino Stavrakikis wins either way. He’s half Greek and half Italian and for the past 25 years has been baking both styles of the humble pie in his corner pizza palace at Fillmore and California. During that time, Dino has done his damnedest to ensure its reputation as a fun, friendly, family-minded place to pop in for a slice, a plate of spaghetti and meatballs or a Greek salad. And diners needn’t worry about waiting an hour for a table or a seat at the bar — or being snubbed by a snooty maitre d’.

At Dino’s, the greeter is usually Dino himself or, during the week, his Uncle Nick Nickolas, a retired restaurant mogul as smooth as the silk sportcoats he wears. Indeed, the bigger risk is being schmoozed to death by Dino, Uncle Nick or any of the doughboys who have worked there 10 to 20 or 25 years, who know your name and what you like.
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New Chicago: more than a barbershop

Photograph of New Chicago Barbershop #3 by Kathryn Amnott

By Chris Barnett

SAM JONES, aka “I’m just a Joe named Sam,” wandered into the tiny three-chair Esquire Barber Shop at 1826 Geary one recent Saturday afternoon looking slightly stunned. Then Elijah Brown, a 21-year-old entrepreneur, stepped in the door with a quizzical look. A gent named Tim, a man of few words, came in a few minutes later, squinted, looked around, sat down in the porcelain and leather chair and asked, “Whazzup, whazzup?”

Good question.

All three men and a parade of others that day had gone first to the New Chicago Barber Shop #3, a fixture at 1515 Fillmore Street for 60 years, for their regular trims and were shocked to find it closed and the phone disconnected. But they weren’t left entirely in the lurch. Wired to a metal security curtain were hand-lettered signs announcing that Kevin had moved to a shop at 1315 Fillmore at Eddy, Bobby had relocated to 1045 Fillmore and, on a printed poster, Al and Gail announced they were now cutting hair around the corner at the Esquire.

Al Stephens, who worked at the now-shuttered shop for 47 years, and Gail Pace, who worked there for 28, say they can’t explain why the shop closed. Charles Spencer, the shop’s current owner, cannot be reached.
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Oska stirs chain store fight on Fillmore

Photograph at Fillmore and California by Dickie Spritzer

By Barbara Kate Repa

SPURRED BY CONCERNS that the local shopping district is losing its charm and uniqueness as corporate labels gobble up real estate on Fillmore Street, some business owners are now attempting to block a newcomer — Oska, a German-based clothing company — from moving into the neighborhood.

The charge is being led by Miyo Ota, owner of Mio, the women’s boutique at 2035 Fillmore. She has filed an appeal of a building permit issued earlier to refurbish the space at 2130 Fillmore just left vacant by Jet Mail, where Oska intends to open a boutique. The action suspends the permit until the San Francisco Board of Appeals hears testimony on the issue at City Hall on March 20.

UPDATE: At its March 20 hearing, the Board of Appeals allowed the landlord’s permit to make upgrades to the building’s foundation to go forward. A second permit allowing Oska to build out the interior, which was also challenged, will be heard by the board on May 15.

FURTHER UPDATE: At its May 15 meeting, the Board of Appeals ruled 4-1 that Oska is a chain store and must go through the city’s conditional use process before it can open on Fillmore Street.

Ota’s resolve to act against the retailer, which boasts more than 50 stores around the world, was stoked while on a recent buying trip to Paris, where she was strolling through the formerly quaint Marais district. “I was shocked at what I saw there — it feels like Soho on weekends,” she says. “Now there are the same old chains there you see everywhere.”
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