Filipino jazz returns to Fillmore

The San Francisco Filipino American Jazz Festival returns to the Fillmore for its fourth annual concert on Sunday, October 9, at 6 p.m. at Yoshi’s. Like last year’s concert, also held at Yoshi’s, this is a homecoming of Filipino jazz artists to the Fillmore, which once had a large Filipino population. Filipinos began settling in the Fillmore in the 1920s, some as war brides of African American Buffalo Soldiers returning from the Philippine-American War. Filipino men also settled in the Fillmore, owning businesses and raising families.

During the time the Fillmore was known as the “Harlem of the West,” a number of Filipino American jazz artists performed regularly in the Fillmore, most notably Joseph “Flip” Nunez, who was one of the house pianists at the legendary Jimbo’s Bop City. A brick marker on Fillmore Street near Yoshi’s honors Nunez. Another brick marker honors Filipino jazz poet Al Robles, an activist who was part of a large Fillmore family. Sugar Pie DeSanto — the internationally known blues singer and songwriter — also grew up in the Fillmore on Buchanan Street in a large Afro-Filipino family.

JazzFest reviews are in: ‘It was fun’

By Jesse Hamlin

A sea of sun-drenched people flowed along Fillmore Street on Saturday, partaking of the musical and gustatory pleasures — not to mention the beer, wine and margaritas — served up by San Francisco’s biggest street bash. Blues and barbecued oysters. Fried catfish and Nigerian folk songs. Those were some of the sounds and scents that wafted through the air at the annual Fillmore Jazz Festival, a swinging two-day affair that stretches from Jackson Street in tony Pacific Heights down to Eddy Street in the gritty heart of the Fillmore District.

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Old friends, new faces at JazzFest

For the 27th time, Fillmore Street will celebrate the Fourth of July by hosting the Fillmore Jazz Festival, this year on July 2 and 3. It’s by far the largest street party in the city, stretching from Jackson Street in Pacific Heights south through the Fillmore Jazz District to Eddy Street. Ruth Dewson, the long-reigning Mayor of Fillmore Street, remembers how the festival got its start.

A local treasure debuts at Yoshi’s

Globetrotting jazz vocalist Kitty Margolis returns to Fillmore — source of some of her earliest musical inspiration — for her debut performance at Yoshi’s on June 24.

“When I was a kid, barely 12 years old,” says the fourth generation San Franciscan, “I would go to the Fillmore and Winterland and see all sorts of bands on the same bill — Miles, the Dead, Otis Redding, Janis Joplin, Jimi Hendrix.”

Margolis left the city to study at Harvard, but music had her in its grip. She dropped out and returned to San Francisco just in time to record her first album, “Live at the Jazz Workshop,” in 1988 shortly before the revered club closed.

“My first apartment was on a tree-lined one-block alley in North Beach, down the street from Stan Getz and his Dalmatian, James,” Margolis remembers. “Nearby was another one of the last great clubs, Keystone Korner.”

Margolis has gone on to international acclaim, traveling and performing at clubs and festivals around the world. Although she continues to live in San Francisco, she rarely performs here, making the Yoshi’s date a special treat for a local treasure.

Coming to the Fillmore: yoga

By Barbara Kate Repa

Yoga.
Trance dancing.
Nurturing food from the earth.
Music by the Grateful Dead’s Mickey Hart.
A crowd of true believers at the Fillmore.

It sounds like the ’60s all over again. But this time, in a wholly wholesome good way, it’s a unique happening called Wanderlust coming to the historic Fillmore Auditorium on May 21.

The idea for the event came from a New York couple with California roots whose lives took some serendipitous turns. Jeff Krasno was already managing, producing and recording musicians when his wife Schuyler Grant decided to open a yoga studio.

“At the same time my music business was taking off, I also saw the growth of the yoga industry and became very close to its value and cultures,” Krasno says. “I thought perhaps we could marry the music with that progressive, social, environmental community to create a large-scale event.”
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‘A great player who loves what he’s doing’

Charles Unger plays on Sunday nights at Rasselas.

MUSIC | Anthony Torres

I first heard Charles Unger play when I stepped into the Sheba Piano Lounge on the way home from Yoshi’s one night. As I walked in, I was immediately struck by the intonation of the tenor sax and the ease with which Unger and his band, The Experience, moved through Carlos Santana’s “Europa.” Since then I have seen them at both Sheba and Rasselas. Every time, it’s been a thoroughly enjoyable experience.

With jazz, they say it don’t mean a thing if it ain’t got that swing. These guys swing, and they do it in a way that incorporates a range of influences. The music moves and is inflected with a Latin groove and a Middle East undercurrent that creates a melancholy feel so sensuous a person can’t help but be moved.

Unger is a great player. He’s also a great guy who loves what he’s doing and does it with all the seriousness in the world. Music for him is a spiritual mission and a quest for a kind of secular redemption that he has pursued since he was a child — one that sustains him and has brought him a wealth of knowledge and experience.
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Tribute to a Fillmore jazzman

Photograph of Allen Smith by Scott Chernis

San Francisco trumpeter Allen Smith, who died February 3 after a long illness, will be remembered and celebrated by many of the top jazz musicians in the Bay Area at a “Musician’s Tribute to Allen Smith.” It will be held at Yoshi’s at 1330 Fillmore on Sunday, April 10, from 2 to 4 p.m. There is no admission fee, but contributions will benefit the Fillmore Jazz Heritage Center, which is directed by his son Peter Fitzsimmons.

Vocalist Kim Nalley: My last gig with jazz legend Allen Smith

She was here first

Many in the music world are still scratching their heads about the Grammy Award for Best New Artist that went to bass player Esperanza Spalding Sunday night. But not jazz fans in the Fillmore, who know her from her performances at Yoshi’s.

EARLIER: At Yoshi’s, beauty and the bass

Ain’t Misbehavin’ debuts at Yoshi’s

Fats Waller by Mark Ulriksen

Fats Waller is coming to Fillmore Street.

The rollicking rhythms and exuberant lyrics of the Harlem stride piano master will be celebrated in the musical revue Ain’t Misbehavin’, which makes its San Francisco debut from January 7 to 9 at Yoshi’s on Fillmore. The show — named after one of Waller’s most popular songs — is a tribute to the Harlem Renaissance told through his music by five singers from the Irving Street Repertory in lower Manhattan, plus a rhythm section with piano, bass and drums.

It’s a new kind of show for Yoshi’s.
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Filipino jazz back on Fillmore

The third annual San Francisco Filipino American Jazz Festival comes to Yoshi’s on Sunday, October 10, from 6 to 9 p.m. Among the headliners are composer-pianist-vocalist Primo Kim, appearing with guest vocalist Jo Canion; Tokyo’s premier jazz diva Charito; and, from Manila, the powerful singer Sandra Lim Viray.

The roots of Filipino jazz in San Francisco can be traced to early Filipino immigrants who settled in and around the Fillmore District. Jazz pioneers such as Flip Nunez, Jo Canion and Rudy Tenio created a legacy that many artists have since followed. Today, Filipino jazz is gaining wider recognition as artists — including Primo Kim, Charito and Sandra Viray — are recording and performing worldwide.