Fillmore Hardware’s final farewell

After 49 years, Fillmore Hardware closed its doors for the final time on the day after Christmas.

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Fillmore Hardware closing after 49 years

Photograph of Fillmore Hardware by Rose Hodges

One of Fillmore Street’s iconic institutions will disappear by the end of the year when Fillmore Hardware closes its doors promptly at 5:55 for the final time.

For 49 years — since 1961 — the store has been the ultimate neighborhood-serving business. Originally twice its present size, it was a full-service hardware and glass company that furnished the materials used to renovate many of the Victorians in the neighborhood. In recent years it become a more eclectic emporium, keeping the basics but focusing more on housewares and whimsy.

“Simply put, we are tired,” owners and sisters Patti Lack and Terri Alonzo write in a letter to their customers and neighbors. “We considered staying one more year so we could celebrate 50 years in business,” the sisters write, adding, “It just isn’t worth it.” The two sisters have been running the store since their brother-in-law, Phil Dean, retired in 2005 after nearly 40 years as manager. Their father, Jim Hayes, remained actively involved in the business until his death last year at age 89.

“We never could have closed while he was alive,” Patti Lack said. “It kept him going.”

She said they will gradually sell off the store’s considerable inventory in the coming weeks and hope to be out by December 31. They own the building and have retained a broker to offer it for lease. She said they had not considered selling the store, which was started by their grandfather.

“Nobody wants to buy a hardware store,” she said. “The only reason we’ve lasted is because we own the building.”

Lack said it was an especially difficult decision given the number of people who come in regularly and tell them it’s their favorite store.

“It’s just time,” she said. “But we’re gonna totally miss it.”

EARLIER: Fillmore Phil Dean: a good egg

They sold Model Ts here

The garage at 2401 Bush Street was designed by architect Timothy Pflueger.

 

ARCHITECTURE | THERESE POLETTI

In one of the more unusual examples of architectural ornament in San Francisco, a circle of lady bugs surrounds what appears to be a 1915 Ford Model-T Roadster. They adorn the facade of the architecturally significant 94-year-old garage that is home to Hayes Auto Repair at 2401 Bush Street, between Pierce and Scott.

Perhaps it was just a whimsical detail added by the architect, James R. Miller, or his favorite draftsman, then-24-year-old Timothy L. Pflueger.

Miller & Pflueger would become well-known in the 1920s and 1930s for projects such as the city’s first high-rise at 140 New Montgomery, the Stock Exchange building and club, the medical building at 450 Sutter, the Castro and Paramount Theaters and other major buildings, many in what is now referred to as the Art Deco style.

But before these high profile projects, where Pflueger would make a name for himself as a master of the style, Miller was building their architectural practice. Residential and commercial work came into the office consistently after the 1906 earthquake, and Miller and his crew, including the young Pflueger, a San Francisco native who grew up in the Mission District, were busy.

The garage at 2401 Bush Street is an example of Miller’s eclectic take on the Renaissance revival style, which he and his chief draftsman Pflueger would use again in the Redwood City Firehouse — now the Redwood City Public Library — three years later. Like the firehouse, the Bush Street garage is faced in brick and highlighted by graceful arches. The long building dominates the block, which it shares with the California Tennis Club. The garage is characterized by an unusual broken-pitch roof and three arched entrances, two for vehicles and one for the office. Mullioned windows add a French twist to the Italianate arches. The roofline is richly carved.

Ornamental ladybugs surround a Roadster at 2401 Bush.

In 1901, Pardon A. Cook, who owned a large swath of real estate in the neighborhood, hired a contractor to build a one-story building with an attic on the Bush Street lot. But he suffered “a stroke of apoplexy” on March 15, 1901, which rendered him mentally incompetent. When he died later that year, his wife Lizzie J. Cook inherited about $15,000 in cash and property all over the Western Addition valued at more than $120,000, according to a probate listing in the San Francisco Chronicle.

Two of his three daughters, Inez Cook Noble and Alice Cook Swan, ultimately inherited the property from their mother. In December 1915, they filed a permit seeking to build a brick store and garage, with Miller as the architect, for $14,700.

It appears that the sisters quickly found a tenant — two brothers who operated a garage just across the street from the Cook family home at 2212 Sutter Street. The brothers, Edward and Charles Fisher, were both in their early 40s and had moved to San Francisco from Marin County. Inez and her husband, Paul Noble, a physician, lived on the same block at 2298 Sutter Street. The Nobles must have been pleased with the work of Miller and his protege, because they hired the two again in 1916 to design a small bungalow in Los Altos.

By June of 1917, the two brothers were operating their garage, known as the Fisher Brothers, at 2407 Bush Street, one of several addresses used through the years for this expansive building, according to city directories.

The firm also began selling Ford automobiles at the same address, becoming one of 12 Ford dealers around the city. Most of the big auto showrooms congregated on Van Ness Avenue, also known as Auto Row, where Miller & Pflueger were among many local architects to design elegant selling rooms in the 1920s.

The car business continued to boom in the ’20s, along with the economy and the stock market. By 1925, another partner, William B. Teall, joined Fisher Brothers. The dealership changed its name to Fisher Teall Motor Co. and moved to 1955 Post Street. Another garage operator took over the Bush Street space.

Today, the building is owned by Alan Yukawa, whose father bought it 41 years ago. Yukawa said he believed AT&T had occupied the site at one point, and also a plumbing supply company. His family turned it back into an auto repair shop.

As for the ladybugs that grace the front of the building, they remain a mystery.

Art-Deco-SF-Cover

Therese Poletti is a San Francisco-based journalist and author of Art Deco San Francisco, The Architecture of Timothy Pflueger, published by Princeton Architectural Press.

St. Jude’s booming 75th

The St. Jude Shrine inside St. Dominic's Church.

By Stedman F. Matthew

More than 60,000 people visit the St. Jude Shrine at St. Dominic’s Church every year to light a candle, say a prayer and seek solace from their suffering. The shrine — founded by the Dominican friars in 1935 in the middle of the Great Depression to bring hope to a world that desperately needed it — is celebrating its 75th anniversary on October 28. Its mission continues unchanged — and gains new potency — as we find ourselves once again in the midst of a financial crisis.
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Filipino jazz back on Fillmore

The third annual San Francisco Filipino American Jazz Festival comes to Yoshi’s on Sunday, October 10, from 6 to 9 p.m. Among the headliners are composer-pianist-vocalist Primo Kim, appearing with guest vocalist Jo Canion; Tokyo’s premier jazz diva Charito; and, from Manila, the powerful singer Sandra Lim Viray.

The roots of Filipino jazz in San Francisco can be traced to early Filipino immigrants who settled in and around the Fillmore District. Jazz pioneers such as Flip Nunez, Jo Canion and Rudy Tenio created a legacy that many artists have since followed. Today, Filipino jazz is gaining wider recognition as artists — including Primo Kim, Charito and Sandra Viray — are recording and performing worldwide.

‘Howl’ premiered here — now it’s back

A sidewalk plaque at 3119 Fillmore commemorates the night the poem was first read.

The legendary poem “Howl” — which had its premiere on Fillmore Street in 1955 and is now the subject of a film showing at the Sundance Kabuki — was 29-year-old Allen Ginsberg’s first published work. But it instantly established him as a vital new voice for rapidly changing times.

It all began on what Jack Kerouac would come to call the “mad night” of October 7, 1955. That’s when Ginsberg read “Howl” for the first time at the soon-to-be-legendary Six Gallery — a former auto-body shop turned Bohemian hangout at 3119 Fillmore Street — and left the crowd of hipsters in tears.
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How the Clay dodged a bullet

By Thomas Reynolds

Discussions between Clay Theater owner Balgobind Jaiswal and the San Francisco Film Society began last December after Landmark Theatres decided it could no longer afford to continue to operate the venerable theater, which has been showing films on Fillmore Street for 100 years.

The lease had actually expired two years earlier.

“The Clay has been in trouble financially for several years,” said Ted Mundorff, CEO of Landmark. “So we’ve been working on what we could do to prolong the probable demise of any single-screen theater.”
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Film Society, theater owner resume talks

The owner of the Clay Theater has invited leaders of the San Francisco Film Society to meet on September 13 to resume discussions about the Film Society’s desire to lease the historic Fillmore art house.

Graham Leggat, executive director of the society, said he is eager to proceed. “It’s certainly progress,” Leggat said. “It’s a better sign. How good it is remains to be seen.”

At the same time, owner Balgobind Jaiswal — who also owns the Blu and Cielo women’s clothing boutiques on Fillmore Street, as well as the building that houses Marc by Marc Jacobs — has retained an architect who is exploring how the Clay might be reconfigured to accommodate two or three smaller theaters. And he may seek to build four townhouses on top of the theaters to help fund the project.

“We are committed to keeping it as a theater,” Jaiswal said. “We are trying to find a long-term solution, rather than being back in the same situation in two years.”
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Hotel Drisco: luxe local guesthouse

 

Outside, the Hotel Drisco is nondescript; inside, it's old world elegance.

By Chris Barnett

If you’re looking for a hideout to brainstorm the next Google, hammer out a multibillion dollar merger or tryst the night away, the Hotel Drisco on the hilltop corner at 2901 Pacific and Broderick might fit your bill. A bastion of secrecy since its opening more than a century ago, there is scant history about the comings and goings of the owners and guests of the 43-room Pacific Heights luxury roost.
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Prop 13 on the Gold Coast

2901 Broadway may be one of the world's most valuable homes, but taxes are minimal.

The Bay Citizen — the new nonprofit news website financed by neighborhood investor and philanthropist Warren Hellman — launched today. Its lead story focuses on the wildly varying property taxes paid by the owners of the mansions on Outer Broadway.

Included is an interactive graphic that is something of a star map to Pacific Heights, describing who lives where and offering a bit of history about some of the finer homes in the neighborhood.