There’s a reason they call it the Elite

SALOONS | CHRIS BARNETT

In my 35 years of libational research, I’ve found few saloons where women consistently outnumber guys at the bar. One is the Elite Cafe, the eating and drinking den at 2049 Fillmore, busy since the day it debuted in 1981.

It opened across the street in 1928 as the Lincoln Grill before moving into its present home in 1932. Later it became a chop suey house called the Asia Cafe — and supposedly a front for a bookie joint in the basement.

Photograph by Zabrina Tipton

As the story goes, the phone company couldn’t understand why there were 50 trunk lines into a cafe that didn’t even do takeout. Some say the Asia Cafe ran a full gambling operation in the cellar, but I can’t prove that.

It became the Elite in ’81, launched by the notorious serial bar and restaurant owner Sam DuVall, who these days owns Izzy’s in the Marina and Larkspur, with a Cajun theme that remains today. In the Elite’s most recent incarnation under owner Peter Snyderman, the food has become more authentic.

Much of the interior and exterior has hardly been touched. The wooden booths remain, with the scars to prove they’re vintage. From the high ceilings hang wooden fans lazily whirling above sculpted Deco lights. It looks very New Orleans.

In a relatively recent facelift, owner Synderman had the good sense to use restraint. Both the oyster bar and the sofa that replaced it for a few months are both now gone, giving way to tall bar tables and stools by the front windows. And there is outside seating on Fillmore, warmed by electrical heaters under an unfortunate new bonnet not quite in keeping with the magnificent Art Deco facade.

And then there’s the bar, which now opens at 4 p.m. No two-for-one happy hours, which would only bring the tattooed 20-somethings looking to get polluted on the cheap. The Elite is more upmarket.

From 4 to 6, a half dozen oysters on the half shell and a flute of Veuve Clicquot is a package deal for $24. To build up its first hour business, three of Dona Luisa’s stuffed deviled eggs and the Elite’s fresh-out-of-the-oven biscuits are gratis appetizers. After 5, they go on your tab.

Full disclosure: I use the Elite bar with its brass footrail as my second office and conference room. I like the upholstered bar chairs at the east end of the L-shaped plank and the circa-1920 swivel chairs bolted down at the other end — once only for diners but now available to drinkers, too. Even thought the decibel level can drive you daft, the atmosphere is cheery and I can concentrate there.

The Elite’s magnet for me and many other customers are its bartenders. They’re mostly in their 20s and 30s, but are pro mixologists with cocktail and conversational savvy. Look for Jake, Fabian, Derrick, Thara and Heather — all are exceptionally personable and welcoming, with no arrogance or attitude. It’s one of the best lineups of barkeeps I’ve seen in the city.

Diners at the Elite Cafe.

Diners at the bar, tables and booths at The Elite Cafe.

Like most friendly saloons with food, the Elite lets you eat at the bar. Linen is unfurled, silver is set, pretty good French bread arrives and there’s a choice of bites from a short bar menu — or you can order from the full dinner menu. Some dishes and drinks are on the pricey side, but Snyderman and his staff don’t skimp on portions, so you get value for your money.

At least 20 wines are served by the glass, which makes the Elite a standout saloon in my book. Too many bars pour only four to six wines by the glass. There’s a list of 10 specialty cocktails, including the Sazerac, said to be America’s first cocktail, born in New Orleans.

Sudslovers are not shortchanged at the Elite. Eight taps stand at attention behind the bar. Try Abida, a New Orleans amber ale, at $5 a pint. Barman Jake says the Elite is possibly the only San Francisco bar with the New Orleans brew on draught.

Another big plus for the Elite is the bouillabaisse of people who come in to elbow-bend and unwind. As I’m writing this, a woman named Jennifer sits down next to me for a glass of merlot. Why the Elite? “It’s across the street from the laundromat,” she says. “My washer broke down and I’m flying out to Nicaragua at 1 a.m.”

On the two barstools by the window are Tony and Annie Lovell, out celebrating her birthday. They love New Orleans and have visited 16 times. Says Tony, an Australian, “I remember when this was the Asia Cafe.”

So tell me, was there a bookie operation or a gambling den downstairs in those days?

“You’re kidding. If there was, I never saw it.”

Chris Barnett writes about the world’s great saloons. He lives and works in the neighborhood.

EARLIER: “The Elite Cafe: aging gracefully

In Japantown, new condos meet old customs

By Donna Gillespie

While wandering through the haze of sizzling teriyaki burgers and listening to the pounding of Taiko drums at the Nihonmachi Street Fair last month, you might have been asked to sign a petition supporting the event, or seen people wearing stickers that said “Save Our Festivals.”

It was a response to a local developer and the head of a new condo association, who had threatened to shut down Japantown’s festivals.
Read more »

‘Our Lady of the Parking Lot’

In the parking lot behind St. Dominic's Church is a shrine to Our Lady.

Neighborhood lore says the bulldozer operators couldn’t bear to push down the grotto in the school’s courtyard when St. Rose Academy was demolished after the 1989 earthquake. So they carefully left it standing — and it’s still there, amid a grove of cherry trees, in the parking lot behind St. Dominic’s Church. Covered with gnarly vines watered by an underground spring, the grotto is a place of quiet contemplation dedicated to Our Lady of Lourdes. To locals she has become “Our Lady of the Parking Lot.”

A condo with a $5 million view

One rarely sees homes in our neighborhood selling for less than $1 million, but it happened in June 2008 at 49 Service Street, a short block near Steiner and Lombard. A one bedroom single family home closed at $675,000, setting the bar for the lowest priced single family home sold in the area this year.  

At the other end of the chart, unit 9W at 2190 Broadway (above) is a very special northwest corner condominium with fantastic views from nearly every room. Even though it needs some updating, the unit closed for $5 million — more than $1.5 million over the asking price.

John Fitzgerald, Pacific Union Real Estate

Drawn to Alta Plaza

Noted French artist Daniel Levigoureux made a visit to the neighborhood last month and quickly found his way to Alta Plaza Park, where he was captivated by these Scott Street Victorians.

A merry band of Food Runners

Photograph of Mary Risley by Lucy Gray

By MARJORIE LEET FORD

Like Robin Hood and his band of merry men, Mary Risley and her crew of Food Runners take from those who have too much and give to those who don’t have enough.

It all started when she realized she had a problem at Tante Marie, her cooking school: Her student chefs couldn’t eat as much as they cooked. Tante Marie had too much food — really good food — while people all over San Francisco went hungry.

One day Risley found herself with five wedding cakes. She took them to Glide Memorial Church, and Rev. Cecil Williams nearly fainted. Another Sunday she took him seven boned ducks stuffed with veal pate.

Then she got the idea for Food Runners.

It started small in 1987 in her little Victorian just off Alta Plaza Park. She and some friends in the restaurant world devised a way to deliver about 50 pounds of food a week to people who needed it. Now, two decades later, Food Runners delivers more than 2,000 pounds of food each week — and sometimes a lot more. Every time there’s a street fair, there’s a truckload. After the last Bay to Breakers race, the harvest was 2,000 pounds of edibles; later that day, Food Runners picked up a second ton from a catered event.

Such a feat takes a substantial network of volunteers. At first there were few enough that Risley could coordinate their pickups and deliveries from her home. Now there are 450 volunteers. Theoretically there are two paid employees, volunteer coordinator Nancy Hahn and a truck driver — except that he’s no longer driving, so now Hahn drives the monster, growling, “I am woman, hear me roar!”

The shiny white truck was donated by the UPS Foundation. Another supporter donated an office on Union Street. Some expenses are covered by various foundations. Chuck Williams, founder of Williams-Sonoma, is a major supporter, and many others contribute as well.

The businesses that give food — restaurants, hospitals and markets — also benefit, financially and otherwise. One big downtown hotel saves $750 a month by donating unused ingredients and unserved dishes. Otherwise it would pay a penny a pound to compost it — or 5 cents a pound to have it taken by the trash collector.

The lift in employee morale is another benefit. When a Food Runner steps in, the parking valet, the dishwasher and the person flipping pizzas leap to open doors and hoist cartons into the car. Grins stretch their faces and many say, “It’s great what you’re doing.” Between the lines they’re saying, “It’s good what we’re doing.”

Every day Mary Risley and her merry band of Food Runners get 2,000 meals to citizens of San Francisco who otherwise might not eat. Somewhere Robin Hood is smiling.

To volunteer or contribute, visit www.foodrunners.org or call 929-1866.

A clubby spot for locals

Bellying up to Fillmore's latest Long Bar.

SALOONS | Chris Barnett

The first long bar I ever bellied up to was reputedly the original Long Bar, inside Raffles Hotel in Singapore, birthplace of the cloyingly sweet Singapore Sling.

During Fillmore’s jazz era, the Long Bar at 1633 Fillmore, next door to Woolworth’s, boasted of having one of the longest bars in the world. It stretched from the front door on Fillmore all the way back — a full block — to Steiner Street.

Fast forward to 2008. The Long Bar has returned to Fillmore as a saloon and bistro at 2298 Fillmore, at the corner of Clay. There are no jazz singers or piano players, but the place has a nice feel the minute you walk in the door and has commanded a crowd from day one, which was June 12. Two hours after it opened, it was full.
Read more »

Farewell to the queen of wash and fold

Barbara Conway: retiring after 40 years of laundry.

FIRST PERSON | Lynn Harrison

“Got some new drawers, I see — finally. I don’t see how you keep ’em up.”

“Barbara, didn’t I have a pair of green . . .”

“Threw ’em out. Totally shot. You’ve been needing new ones since God was a baby.”

Barbara Conway retired June 25, 2008, after 40 years of running a no-nonsense wash-and-fold laundry service at Fillmore and California, now the Wash ’n’ Royal, but for decades the Wash Palace. During all of those years, she found more than a few surprises in the wash — from Halloween novelties to sex toys — alongside more sedate bags of laundry, including mine.

Barbara has been many things: the queen of wash and fold, the empress of local gossip, the cigarette’s handmaiden. It’s nostalgia, I suppose, but I still miss the faint puff of nicotine that used to emanate from my neatly folded package of not-so-tighty-whiteys.

But what she is and always has been is much rarer in this life. Barbara is a loving, giving, big-hearted genuine human being — a one-of-a-kind real person who never shies from saying what she thinks.

When my washing fortunes changed and I no longer placed my faded socks and drooping drawers under Barbara’s scrutiny, I felt that undeniable elastic tug of guilt. I could taste that soapy bittersweet flavor of remorse. But we still saw one another on the street, and our friendship continued.

Now that Barbara is retiring and I may see her less often, I have a confession: Things of cotton, even socks with holes, may come and go in one’s life; but Barbara, never have more skillful or loving hands been in my drawers for so long, and with so few demands.

UPDATE: Three weeks after Barbara Conway retired she checked into the hospital and never came home again. She died on September 21, 2008.

“I think she’d known for a while that something wasn’t right, but didn’t realize how bad it was,” said her only child, Marie Stroughter. “She didn’t tell anyone — didn’t want to worry anyone or be a bother. I didn’t even know.”

She had advanced cervical cancer, which led to heart trouble and blood clots that required her leg be amputated. “But she never lost her sense of humor,” said her daughter. “She was lucid, flirting with the doctors — very matter-of-fact to the end.”

For vocalist Kim Nalley, it all started on Fillmore

Photograph of Kim Nalley by Walter Wagner

By THOMAS REYNOLDS

Sultry, soulful, swinging singer Kim Nalley remembers when she got her first big break in San Francisco. It was the early ’90s, and the manager of Harry’s on Fillmore called to see if she might fill a slot for a band that had cancelled.

But Nalley was otherwise engaged. She had a house to clean — a job that was helping to pay her way through UC Berkeley. She called her client and explained she wouldn’t be able to come. “How much are they paying you to sing?” the woman wanted to know. “Well, you make more here cleaning — and this is an ongoing thing.”

She called back Harry’s and told the manager she wouldn’t be able to make the gig, but that she hoped to sing another night. “This is your chance,” he told her.

So she gave up domestic work. And she started her rise to a place of prominence and respect in the jazz world, toured and lived in Europe, then came home triumphantly to take over Pearl’s, the North Beach jazz club.
Read more »

Santana’s back on Fillmore

Photograph of Santana by Mark Brady

FILLMORE HAS ALWAYS had a claim on guitarist Carlos Santana, and not only because of his many appearances at the Fillmore Auditorium. For a number of years his studio was on Fillmore Street next door to the Clay Theater.

Now he’s back as part of the first special exhibition at the Fillmore Heritage Center. “A Tribute to Miles Davis and Carlos Santana” opened May 23 and continues through July 31, 2008, and includes items from Santana’s personal collection.

The man himself stopped by after his appearance May 20 up the street at the Fillmore Auditorium, reports the center’s executive director, Peter Fitzsimmons.

“Carlos came by and fell in love with many Miles images,” Fitzsimmons says, “and seemed delighted to visit with the many memories inherent in the memorabilia and photographs. Stopping in front of Mark Brady’s photograph of a Santana concert at San Quentin, Carlos recounted the concert and how he was able to reach across racial barriers to involve the hardest of the hard-core inmates in musical rapture. He mentioned, in what must have been a surreal moment, that he saw the machine-gun-toting guard up in the tower swaying to rocking rhythms. He was with us for a good 45 minutes, taking photos with his guest and the staff, and he seemed intrigued and open to learning more about the Jazz Heritage Center.”

Photograph of Santana at San Quentin by Mark Brady