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The Case of the Flat Rainbow

“THERE’D BEEN A rainstorm,” says longtime neighborhood resident Monte Travis, a respected San Francisco attorney. “I looked out the living room window and saw this. I grabbed my camera, opened the kitchen window and took the picture. My timing was very lucky, as the rainbow proved quite ephemeral.” Travis is far more than an amateur…

Revenge of the Victorians

NEIGHBORHOOD HISTORY | WOODY LaBOUNTY In the 1930s, the WPA’s Federal Writers’ Project put unemployed authors to work on guidebooks. The contributor to the architecture section of California: A Guide to the Golden State, had some opinions on the architectural tastes of the moneyed classes in the late 19th century: “[W]ealth meant even larger buildings with more and…

The murals at Jimbo’s

IT’S NOT EVERY DAY that a photo from the neighborhood is published in The New York Times. But today is that day. Alongside a review of Cosmic Scholar, a new biography of anthropologist/artist/filmmaker/mystic/music collector Harry Smith, is a photograph of Smith before one of the murals in the legendary Fillmore jazz club Jimbo’s Bop City.…

Artistic circles in the Fillmore

By GARY KAMIYA San Francisco Chronicle The most famous event in the history of avant-garde literary San Francisco was Allen Ginsberg’s reading of “Howl” at the Six Gallery at 3119 Fillmore Street on Oct. 7, 1955. That frenzied reading, the subsequent publication by Lawrence Ferlinghetti’s City Lights Books of “Howl and Other Poems,” and the…

Surrealism in the neighborhood

ART | JEROME TARSHIS In this year’s Venice Biennale, the world’s preeminent art fair, a kind of 21st century surrealism is said to be the dominant artistic tendency. One of the most admired exhibitions of our time is “Surrealism Beyond Borders,” now packing them in at Tate Modern in London after months as a smash…