ART | JEROME TARSHIS
During the early and middle ’60s, when I was thinking about moving from New York to San Francisco, one of the inducements was that Bruce Conner lived here. My avant-garde film friends thought his first film, A Movie (1958), was an instant classic, followed by one success after another.
The objects he made — assemblage sculptures — were being shown at major galleries in New York, London, Paris, Rome and Mexico City. He was in great collections on both sides of the Atlantic. Not bad for a 30ish artist born and brought up in Kansas.
A more complicated Bruce Conner is the subject of “It’s All True,” his fullest retrospective so far, almost worshipfully received earlier this year at the Museum of Modern Art in New York and now at SFMOMA through January 22.
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