Architect to the stars

Photograph of 2555 Divisadero Street by Shayne Watson

Photograph of 2555 Divisadero Street by Shayne Watson

LANDMARKS | BRIDGET MALEY

The house at 2555 Divisadero was designed by an “important, neglected California designer,” the Planning Department’s Citywide Historic Building Survey in 1976 noted. That architect, Paul Revere Williams, has since been rediscovered.

Williams, one of the few African-American architects working in California in the decades before World War II, is now well known, thanks to the perseverance and publications of his granddaughter, Karen E. Hudson. Her books lovingly tell the story of this remarkably talented and pioneering architect. A key designer of the Hollywood Regency style, Williams was a master at slenderizing and refining Classical forms and motifs, creating a Modern version of shapes and features extracted from traditional architecture.

Often referred to as “the architect to the stars,” Williams designed many Hollywood and Beverly Hills mansions, as well as some iconic Southern California buildings such as the Golden State Mutual Insurance Company — the largest black-owned insurance company west of the Mississippi — and the Music Corporation of America headquarters and the Saks Fifth Avenue store, both in Beverly Hills. He also made important renovations to two luxury hotels: the Beverly Hills and the Ambassador, which has since been demolished.

While Williams’ work in Northern California was limited to a few commissions, he partnered with his clients at 2555 Divisadero to create a Hollywood Regency style house set amidst the much more traditional Colonial Revival houses atop Pacific Heights.

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Local Anglican archbishop resigns

Archbishop James Provence at St. Thomas Anglican Church in San Francisco

Archbishop James Provence at St. Thomas Anglican Church in San Francisco

JAMES PROVENCE, the longtime rector of St. Thomas Anglican Church at 2725 Sacramento Street — who advanced to become archbishop of his entire breakaway province in 2007 — has resigned following allegations of sexual misconduct with a former parishioner of St. Thomas.

In a July 20 letter to the church’s governing body, Provence wrote that he had been advised  for reasons of my health and chronic medical condition to step down from my ecclesiastical duties. I am therefore submitting to you my resignation as archbishop. I am relinquishing my seat on the council of bishops, resigning as ordinary of the diocese of western states and as rector of St. Thomas Anglican Church, San Francisco.”

His resignation followed a formal complaint alleging “pastoral misconduct within a counseling relationship” submitted for the parishioner by attorney Charles H. Nalls, who is also an Anglican priest and executive director of the Canon Law Institute in Washington, D.C.

“We regard the matter closed,” Nalls told Virtue Online, a website that bills itself as “the voice for global orthodox Anglicanism,” after Provence resigned.

“We presented a detailed complaint with exhibits including photographic evidence,” Nalls later commented on the website. “Mr. Provence resigned shortly after the complaint and accompanying evidence were presented without availing himself of procedure or even offering a defense.”

The former parishioner, Kathy Webb, alleged in a public letter that Provence had engaged in improper sexual behavior with her and with another woman.

Calls and messages to Provence and St. Thomas Church seeking comment were not returned.

EARLIER: “Archbishop of the neighborhood

For Jet Mail, the end is here

Photograph of Jet Mail's Kevin Wolohan by Kathi O'Leary

Photograph of Jet Mail’s Kevin Wolohan by Kathi O’Leary

IT SEEMED AS IF Jet Mail had cheated death.

Two and a half years ago, with its prime retail space at 2130 Fillmore coveted by the onrush of fashion boutiques eager and able to pay far higher rent, the packaging and mailing store moved south to 2184 Sutter. In the process, they sparked new life on a sleepy stretch of Sutter Street.

Now the gig is up.

Jet Mail will go out of business on September 15, ending a 25-year run in the neighborhood. The space will become an insurance office.

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Jerry Mapp is finding his voice

Singing has helped Jerry Mapp battle Parkinson's disease.

Singing has helped fundraiser Jerry Mapp battle Parkinson’s disease.

LOCALS | THOMAS REYNOLDS

For 25 years, Jerry Mapp raised money and cultivated donors to help build California Pacific Medical Center into the respected hospital it has become, with a state-of-the-art new home rising at Van Ness and Geary.

As president and chief executive of the CPMC Foundation, Mapp led a team that raised more than $300 million and helped build a portfolio of assets and endowments.

Then he got Parkinson’s disease.

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Cathedral Hill tower pushes height limits

Rendering of ADCO's proposed tower at 1481 Post Street.

A rendering of ADCO’s proposed tower at 1481 Post Street.

By FRAN MORELAND JOHNS

It may be a sleek luxury high-rise condominium bringing new life to Cathedral Hill. Or it may be a code-violating, too-tall tower adding traffic, wind, noise, parking and shadow nightmares — and opening the door for more spot zoning across the city.

New York developer ADCO Group’s plan to build a 36-story residential tower at 1481 Post Street is drawing mounting concern and opposition from nearby residents. The project is expected to come before the Planning Commission in late September.

The building would replace an above-ground parking structure, fitness center and tennis courts that adjoin Cathedral Hill Plaza apartments at Post and Gough, which ADCO also owns and plans to remodel. The new tower would rise to 416 feet, requiring an exception to the 240-foot height limit the city planning code sets for the site.

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An Argonaut in Cow Hollow

The Pixley estate occupied the entire wooded block bounded by Green, Steiner, Union and Fillmore Streets.

In this view from Vallejo and Scott Streets, circa 1893, Frank Pixley’s estate occupied the entire forested block bounded by Green, Steiner, Union and Fillmore Streets.

LOCAL HISTORY | SANDY STADTFELD

More than 120 years after Frank Pixley — California pioneer, businessman, former state Attorney General and longtime editor and publisher of The Argonaut — enabled the construction of a church on his family’s property at Union and Steiner Streets, it remains the vibrant home of the Episcopal Church of St. Mary the Virgin.

Yet Pixley was an unlikely benefactor. Openly hostile toward churches and churchmen of any denomination,  he described himself as “an agnostic with a touch of atheism.”

Frank Pixley

Frank Pixley

After studying law in his home state of New York and practicing briefly in Michigan, Pixley came to California in 1849 in pursuit of gold. Learning quickly there were easier and more prestigious occupations than placer mining, Pixley entered legal practice and civic life in San Francisco. In 1853, he married Amelia van Reynegom, daughter of a merchant sea captain with extensive property in Marin County in what would become Corte Madera. Gaining stature as an attorney and politician, Pixley was elected California’s Attorney General in 1861 and later served as a regent of the University of California.

Pixley inherited land just east of San Francisco’s Presidio and was among the earliest gentrifiers of Cow Hollow, until then a bucolic enclave of laundries, vegetable gardens, breweries, tanneries and dairy farms. The Pixleys built their estate on the block bounded by Union, Steiner, Green and Fillmore Streets. The entire block was a forested compound, the gracious Pixley mansion screened from the outside world in a central grove.

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Searching for the city’s secrets

Mural at St. John Coltrane African Orthodox Church at 1286 Fillmore Street.

Mural at St. John Coltrane African Orthodox Church at 1286 Fillmore Street

BOOKS | FLORIANA PETERSEN

For the last few years, Miles, my beautiful Rhodesian Ridgeback, and I would walk through the neighborhood every morning. Down to Fillmore, up to Broadway, over to Lyon, back to Sacramento. I would point things out to him. I am a designer, by trade and by nature, and I am finely tuned to detail: the font in a logo, the frame on a window, the way a painting is lighted, the clasp on a woman’s handbag.

I would remark at the details as we walked along. Sometimes Miles would look disdainful, as though to say, “Why are you so fascinated by that?” And so we would go on. He held to his mysteries; I held to mine. Then one day he died. He was 14.

It was Miles who first got me thinking about the nature of interesting places in the city. Our journeys led me to start a blog about art, architecture and unusual places in the Bay Area, which led to my new book, 111 Places in San Francisco You Must Not Miss, one of a series of 111 Places books published by the German publisher Emons Verlag.

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A grand tour of St. Dominic’s

Photograph of St. Dominic's Church by Alex Mizuno

Photograph of St. Dominic’s Church by Alex Mizuno

THE DOCENT PROGRAM at St. Dominic’s Church at Steiner and Bush is sponsoring “The Grand Tour: An Overview of Church Art & Architecture” on Saturday, August 22, from 10 a.m. to 1 p.m. Docents will lead visitors on a tour of treasures in wood, stone and stained glass inside and outside the church. The event — a “drop in and stay for as little or as much as you like” tour — is free and open to the public. For more information, call 415-517-5572, or email ourlabs@mac.com.

VIDEO: “Restoring St. Dominic’s”

A Mime Troupe arrest in Lafayette Park

Mime Troupe Meadow in the renovated Lafayette Park honors the historic occasion.

Mime Troupe Meadow in the renovated Lafayette Park honors the historic occasion.

By GARY KAMIYA
San Francisco Chronicle

Fifty years ago this weekend, police prevented the San Francisco Mime Troupe from performing a play in Lafayette Park, arresting the company’s founder as 1,000 people jeered. The dramatic encounter expanded the frontiers of artistic freedom in San Francisco and indirectly launched the career of legendary rock promoter Bill Graham.

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KALW: “For the Mime Troupe, the show goes on

At Nagata, doing more than dance

Photograph of Corinne Nagata in her dance studio in Japantown by Erik Andreson

Photograph of Corinne Nagata, owner of Nagata Dance in Japantown, by Erik Anderson

By JULIA IRWIN

“I taught my very first dance class half a block away, at the Japanese Community Center, when I was still in college,” says Corinne Nagata, owner of Nagata Dance, a second-floor studio in Japantown with a bird’s eye view of the Peace Plaza pagoda. “And my grandfather had a frame shop about five blocks away on Fillmore Street. He’s 103 now — incredibly witty and somebody who’s influenced me a lot. He was actually my landlord’s Boy Scout leader.”

Nagata, a San Francisco native, says she “went away to New York and did all the dance stuff there,” including stints at Alvin Ailey’s American Dance Theatre, the National Dance Institute and the Dance Theatre of Harlem.

“But I came back here because it’s my hometown and my family is here. It’s nice to be back in this neighborhood again,” she says. “I also came back to make my home a better place and I think the way I can do that is by teaching dance — and not just teaching it, but sharing it with more people.”

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