The New Fillmore

WHEN MEMBERS of the staff at Browser Books launched a successful Go Fund Me campaign last year to help assure the future of the beloved bookstore, they promised new efforts were coming to bring renewed life to the 40-year-old Fillmore Street fixture. Already additional staffers have come on board, book readings have begun and a monthly book group has been formed.

Now Browser Books has launched its own literary journal called Stories from the Street. The inaugural issue is available at Browser for $12. It features poems, short stories, reviews, drawings and a photo essay.

“So many creative people walk through our doors every day,” says Catie Damon, editor of the journal, whose father Stephen Damon is the longtime owner of Browser Books. “We wanted to create an opportunity for our community to share their creative work. Fact or fiction, we’re interested in what our neighborhood has to say.”

Send submissions and inquiries to browserstories@gmail.com.

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BOOKS | NORA JACKSON

When you compile a “best of” book from a neighborhood newspaper that’s outstanding to begin with, you’re bound to get an impressive result. Our Town: Best of the New Fillmore packs into one volume the New Fillmore’s shiniest nuggets, and the stunning final product leaves even a longtime resident like me feeling she never really knew the place.

It might seem an overwhelming task to capture the rich layers of history concentrated in this neighborhood, but this elegant, oversized volume covers it all nimbly and compellingly with first person stories, rare vintage photographs and striking modern images. Vanished eras come alive: the day electricity came to the street; the dark time leading up to World War II when the neighborhood’s Japanese citizens were taken from their homes and put in internment camps; the years when redevelopment leveled whole blocks and wiped out the Fillmore’s vibrant African American community. Here are Bill Graham’s Winterland stories, and the saga of the rise of the Peoples Temple cult that ultimately led to the Jonestown tragedy in Guyana.

The Fillmore neighborhood was a root-place for so much that shaped culture through the decades, and this book does a masterful job of embracing it all: Etta James ran through these streets in a girl gang. Carlos Santana’s studio was here. In an apartment above Fillmore Street the artist Jay DeFeo created a painting deemed one of the 10 greatest of the 20th century. Just around the corner was the studio of the photographer Ruth Bernhard.

Much of the power of the book comes from its first person stories: You’ll hear from the local landlord who rented an apartment to the Black Panthers and from the Beat poet who describes what it was like to read at Minnie’s Can Do Club in the ’60s.

The book is further enriched by stories told by locals of our own era, who talk of neighborhood legends and the secret lives of the street: the culture that flourished at the Donut Hole, long since replaced by a taco bar; the enigma known as Sugar’s Broiler — was it ever actually open? There’s the beloved hardware store manager who retired but still delivers eggs to a select few; the poet who sold exotic birds; the personal story of a woman who founded a legendary store: Iris Fuller, creator of Fillamento. The book includes her “love letter” to the store, written after it closed, and it captures sentiments that apply equally to the world made so vivid in Our Town: “You were an amazing place where people grew, loved, cried and died.”

The authors have captured and preserved the essence of this place, with all its eccentricity and complexity. I was swept into another world as I read it, a magical place I couldn’t pull myself out of for days after I put the book down.

Nora Jackson is a historical novelist and a longtime neighborhood resident. 

OUR TOWN: Best of the New Fillmore is available at Browser Books on Fillmore Street or by mail from Norfolk Press.

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