Bagels with a side of history

WISE SONS Bagel & Bakery opened its doors at 1520 Fillmore on February 26 and enthusiastic crowds were waiting. Again there is an authentic Jewish bakery in a neighborhood where many were located a century ago, when the Fillmore was home to a large Jewish community.

San Francisco muralist Amos Goldbaum captured the era in a mural on the north wall after Wise Sons co-owner Evan Bloom told him about the neighborhood’s Jewish heritage.

Says Goldbaum: “I researched historic photos and found some that included street cars and the iconic metal arches over each intersection, which were erected by the Fillmore merchants, many of them Jewish, to promote business. They were eventually removed to use as scrap metal for World War II. I wanted to add more to the street scene, so I also looked at historic photos of the Lower East Side, Jewish mecca and birthplace of my late grandfather. I was happy to find pictures of pushcart vendors selling challa, pickles and, of course, bagels. The resulting scene is Lower East Side on Fillmore, an amalgam of New York street life and San Francisco streetscape.”

WALKING TOUR: “Jews of the Fillmore

The Fillmore getting a jazzier sign

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A NEW MARQUEE is in the works for the legendary Fillmore Auditorium at Geary and Fillmore.

The Planning Commission has unanimously approved changes to the city’s sign ordinance that would permit a 60-foot-tall vertical blade proclaiming both the storied rock ’n’ roll venue and the surrounding neighborhood. Currently signs can be no higher than 24 feet. The proposal now goes before the Board of Supervisors.

The new marquee would replace both the existing Fillmore sign, which rarely functions, and the illuminated check cashing signs below it. Drawings of the new sign considered by the Planning Commission report were said to be placeholders while the law is changed. The final design of the new sign is expected to be more artistically exciting.

Planning staff noted that because the building opened as the Majestic — a dance hall — it never had a historic marquee. It became the Fillmore Auditorium in 1954.

Facing the future in Japantown

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By TOMO HIRAI
Nichi Bei Weekly

At the dawn of its 110th year, San Francisco’s Japantown faces challenges in maintaining its identity as a regional hub of Japanese and Japanese American culture. About five decades since the Japan Center was built, many of the neighborhood’s longtime business owners have come of retirement age. As these businesses close, the neighborhood faces questions on how it should promote itself and preserve its legacy.

Read more: “The state of Japantown’s businesses

When the P.O. was on Post

The neighborhood post office was located at 1949 Post Street circa 1950.

The neighborhood post office was located at 1949 Post Street (right) circa 1950.

FLASHBACK

Before the neighborhood post office moved to 1849 Geary, where it stands today, it was around the corner on Steiner. And before that, it was at 1949 Post. The building now houses Ace Hardware. A cleaners remains next door, but with a new name.

The 1900 block of Post Street today.

The 1900 block of Post Street today.

Diary paints life as an internee

Daisy and Yonekazu Satoda in their apartment in Japantown.

Daisy and Yonekazu Satoda in their apartment in Japantown.

By PATRICIA LEIGH BROWN
The New York Times

Until recently, Yonekazu Satoda says, he did not recall the diary he had written in neat cursive in the laundry building of an internment camp in Arkansas. He would eke out his entries at night amid the washboards and concrete sinks, the only private space in the camp with light.

Satoda, who gives his age as “94½,” was 22 when he and his family were uprooted from their home in San Francisco and sent to an assembly center in Fresno, and then to the Jerome Relocation Center in the mosquito-ridden Arkansas Delta. They were among an estimated 120,000 people of Japanese descent, about two-thirds of them United States citizens, who were regarded as enemy aliens and incarcerated after the attack on Pearl Harbor.

Read more

An Argonaut in Cow Hollow

The Pixley estate occupied the entire wooded block bounded by Green, Steiner, Union and Fillmore Streets.

In this view from Vallejo and Scott Streets, circa 1893, Frank Pixley’s estate occupied the entire forested block bounded by Green, Steiner, Union and Fillmore Streets.

LOCAL HISTORY | SANDY STADTFELD

More than 120 years after Frank Pixley — California pioneer, businessman, former state Attorney General and longtime editor and publisher of The Argonaut — enabled the construction of a church on his family’s property at Union and Steiner Streets, it remains the vibrant home of the Episcopal Church of St. Mary the Virgin.

Yet Pixley was an unlikely benefactor. Openly hostile toward churches and churchmen of any denomination,  he described himself as “an agnostic with a touch of atheism.”

Frank Pixley

Frank Pixley

After studying law in his home state of New York and practicing briefly in Michigan, Pixley came to California in 1849 in pursuit of gold. Learning quickly there were easier and more prestigious occupations than placer mining, Pixley entered legal practice and civic life in San Francisco. In 1853, he married Amelia van Reynegom, daughter of a merchant sea captain with extensive property in Marin County in what would become Corte Madera. Gaining stature as an attorney and politician, Pixley was elected California’s Attorney General in 1861 and later served as a regent of the University of California.

Pixley inherited land just east of San Francisco’s Presidio and was among the earliest gentrifiers of Cow Hollow, until then a bucolic enclave of laundries, vegetable gardens, breweries, tanneries and dairy farms. The Pixleys built their estate on the block bounded by Union, Steiner, Green and Fillmore Streets. The entire block was a forested compound, the gracious Pixley mansion screened from the outside world in a central grove.

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A Mime Troupe arrest in Lafayette Park

Mime Troupe Meadow in the renovated Lafayette Park honors the historic occasion.

Mime Troupe Meadow in the renovated Lafayette Park honors the historic occasion.

By GARY KAMIYA
San Francisco Chronicle

Fifty years ago this weekend, police prevented the San Francisco Mime Troupe from performing a play in Lafayette Park, arresting the company’s founder as 1,000 people jeered. The dramatic encounter expanded the frontiers of artistic freedom in San Francisco and indirectly launched the career of legendary rock promoter Bill Graham.

Read more »

KALW: “For the Mime Troupe, the show goes on

Fillmore jazz era project being updated

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JAZZ | MEAGHAN M. MITCHELL

In 2006, internationally acclaimed photographer and professor Lewis Watts and Emmy Award-winning documentary filmmaker and writer Elizabeth Pepin Silva published Harlem of the West: The San Francisco Fillmore Jazz Era.

From cover to cover, Harlem of the West is filled with vintage photos documenting San Francisco’s historic jazz era during the 1940s and ’50s. The book also features anecdotes from those who lived and performed in the Fillmore during this period. Currently out of print, it continues to be in high demand.

Now the pair has teamed up again to create a unique, multi-platform history project that tells the story of San Francisco’s Fillmore District in its musical heyday. The goal of the Harlem of the West Project is to bring San Francisco’s Fillmore District history back to life in a book filled with rarely seen photographs and stories from those who lived through the period.

Read more: “Gone but not forgotten

A tunnel under Fillmore

A drawing of the south portal to the Fillmore Street Tunnel at Fillmore and Sutter Streets.

A drawing of the south portal to the Fillmore Street Tunnel at Fillmore and Sutter Streets.

LOCAL HISTORY | PEGGY ZEIGLER

As San Francisco celebrates the 100th anniversary of the Panama-Pacific International Exposition, the dome of the Palace of Fine Arts is decked out in new paint and the Ferry Building is illuminated as it was in 1915. Re-creations of the expo grounds flash in the windows of the California Historical Society announcing its exhibition of City Rising: San Francisco and the 1915 World’s Fair.

But the neighborhood connection to the exposition — that of the Fillmore Tunnel — is yet to be told. For that we must look back more than a century, to the fall of 1911.

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New life for an old garden

The house and garden at 1901 Scott Street in San Francisco circa 1980.

The house and garden at 1901 Scott Street in San Francisco circa 1880.

GARDENS | JOAN HOCKADAY

The cow is gone, the windmill torn down, the pharmacy delivery trucks missing from the garage behind the house. The gas pump and the water well no longer pump at all. But some reminders of the storied past of the historic Shumate house and garden at the corner of Pine and Scott remain — including the cobblestones.

Unearthing hidden cobblestones in any San Francisco garden is an instant reminder of the city’s Gold Rush days, when ships with cobblestones used as ballast sat in the harbor after sailors rushed for the gold fields. The heavy stones weighted down the ships during long voyages west, but after 1849 the ships — and the wood and the cobbles — were there for the taking.

After the city took its share to pave dusty or muddy streets, the abandoned stones were commandeered by treasure hunters of a different sort — and now adorn gardens around San Francisco, a link to the early days of the rush to gold.

One of the city’s oldest and largest gardens harbored just such a stash of stones when new owners purchased 1901 Scott Street in 1999. Fifteen years after moving in, they have kept the cobbles and the best of the old while adding modern essentials — and opening the house to the south-facing garden.

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